Practice and performance

Discussion in 'Trumpet Discussion' started by ruslhahj, Apr 15, 2018 at 4:46 PM.

  1. ruslhahj

    ruslhahj New Friend

    7
    7
    Jan 15, 2008
    North Carolina
    My thoughts are that I should practice on the horn I plan to perform. I have "bounced" between two horns, but I'm thinking that the nuances of each horn can affect my performance. Welcoming the experts.......
     
    Dennis78 likes this.
  2. amzi

    amzi Forte User

    1,422
    830
    Feb 18, 2010
    Northern California
    I only worry about practicing on the horn that I will be playing when I play something other than my Bb or C. The contra-alto, Eb/D and picc require a change of technique, and without practicing on those horns I will not be prepared for a performance. Other than that I just play whatever is handy. Right now my Recording is on a stand in my practice room, next week it will probably be one of my Strads or even my cornet--doesn't seem to result in any performance problems.
     
  3. OldSchoolEuph

    OldSchoolEuph Mezzo Forte User

    853
    1,300
    Apr 1, 2011
    Michigan
    I sometimes practice for particularly challenging stuff on a high quality horn that is still just a bit harder to p,ay the particular challenge on than the one I intend to use. But the last couple days, always the one I will use.
     
  4. TrumpetMD

    TrumpetMD Fortissimo User

    3,603
    2,428
    Oct 22, 2008
    Maryland
    I don't know about the experts. But for me, I practice on the equipment I use for performances. So I spend about 50%-75% of my daily routine on my main trumpet. I spend most of the rest of the time on flugelhorn. I also spend some practice time with various mute combinations (especially Harmon, cup, and plunger).

    Mike
     
    Dennis78 likes this.
  5. J. Jericho

    J. Jericho Fortissimo User

    3,328
    2,697
    Mar 16, 2011
    Practice, rehearse, and perform with the same instrument. Consistency will keep unwelcome surprises from negatively affecting your playing. The idea is to make music, not challenge yourself to adjust, especially during a performance, to variable equipment. The stage is not the place to experiment nor to introduce characteristics that can detract from the performance. Suppose the sound you practiced with is not the sound that works well in the ensemble setting. You must interact harmoniously with the rest of the group; it's not just about you; it's also about how and where you fit in. What if you get a cold just prior to a performance? Wanna fight your symptoms and contend with a less familiar instrument at the same time, while your energy is low?

    Feel free to be familiar with your other instruments in case your primary one fails for some reason (count on Murphy's Law to provide you with motivation to counteract). Be familiar enough to know how to adjust the way you play the alternate equipment to compensate when this happens. Notice that I said "when', not "if". Be prepared.
     

Share This Page