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| | #11 (permalink) |
| Moderator Fortissimo User Join Date: Mar 2006 Location: Home
Posts: 3,290
![]() ![]() ![]() | When it comes to high range, I like to paraphrase Gerald Webster, who said something like: "It ain't about how high you can get up, but what you can do with it once you've got there." The Altenburg goes up to what we called a double f# back in the day, but if played correctly (like with taste, style and good intonation) nobody notices.
__________________ "A tool good enough to be so used and not too good" C.S. Lewis That Hideous Strength www.letsbuildhope.org |
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| | #14 (permalink) | |
| Mezzo Forte User Join Date: May 2006 Location: Chicago
Posts: 750
![]() | Quote:
Michael McLaughlin. "Bigamy is having one wife too many. So is monogamy."" Oscar Wilde
__________________ Chicago MM | |
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| | #15 (permalink) |
| Mezzo Forte User Join Date: Feb 2004 Location: Chicago northern suburbs
Posts: 861
![]() ![]() | Heh, heh! Yeah, Mike! When I studied with Joe Daley, he wouldn't let me practice HIS stuff above high C. He was pretty adamant about it. He wanted me to think like a musician, not an athlete. I'm strill working on that! (Joe Daley was a tenor player who taught musicians how to play jazz around Chicago - quite an amazing person). Nick
__________________ ![]() NickD "Live Webcam Lessons Now Available with NickD" http://www.nickdrozdoff.com http://www.newyorktrumpetcompany.com http://www.myspace.com/nickdrozdoff |
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| | #17 (permalink) |
| Forte User | Jon Faddis has nothing on Cat Anderson. To me, Cat is the ultimate. He can play super high and loud, over Ellington's entire band, but he can also solo really well. Jon Faddis plays lots of high notes and Dizzy licks, and that is about it. Not very stimulating if you ask me. |
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| | #18 (permalink) | |
| Artitst in Residence ![]() Fortissimo User Join Date: Nov 2003 Location: Brooklyn,NY
Posts: 2,511
![]() ![]() ![]() ![]() ![]() ![]() | Quote:
Wilmer
__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | |
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| | #19 (permalink) |
| Mezzo Forte User Join Date: May 2006 Location: Chicago
Posts: 750
![]() | Jon Faddis is a monster and also a really good guy, he has been to the school and lent his name to our endeavors. He has spent time with some of my kids and been very helpful. And he plays real melodies in the stratosphere, he doesn't just screech. About ten years ago he came to town with a big band to do Dizzy Gillespie big band stuff, just out of sight. The trumpet section included David Spencer and Orbert Davis from around here, and Faddis truly tore up. He is now a regular with the Chicago Jazz Ensemble out of Columbia College, Bill Russo's band, so he's around a lot here in Chicago. I think to denigrate him somehow or belittle his abilities is really out of line. If you want a lead player, if you can afford him, that's where you'd go. Michael McLaughlin "Fate chooses our relatives, we choose our friends." Jacques DeLille
__________________ Chicago MM |
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| | #20 (permalink) |
| Mezzo Forte User Join Date: Feb 2004 Location: Chicago northern suburbs
Posts: 861
![]() ![]() | uhh.. First I would agree with the notion that Jon Faddis is a remarkable musician. Live or on record, the guy can play. What makes me uncomfortable is the notion that "this guy is better than that guy." I have no problem with comparing styles, sounds, whatever, but to say Cat is better than Jon is, in my humble opinion, like saying apples are better than oranges. Sure they have similarities - they can both play high notes - but their differences, which amount to their musical personalities, make each of them utterly unique. It seems to me the idea that the idea of one being better than another is a matter of taste - not absolute. Peace. Nick
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