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| | #21 (permalink) | |
| Pianissimo User Join Date: Mar 2005 Location: Fresno, California, USA
Posts: 111
![]() | Quote:
__________________ Horn: Flip Oakes Wild Thing American Long Cornet Mouthpiece: Monette B1-1 | |
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| | #26 (permalink) |
| Mezzo Forte User | hmmmm.... So it seems that most people tend to model their sound after someone, whether it be Herseth, Miles, etc. Where does the individuality come in to where someone says, "This is MY sound."? Someone also said versatile, which yes, our sound does need to be versatile to change depending on our performance needs, but let's not get too vague. NEXT?! |
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| | #27 (permalink) |
| Moderator Forte User Join Date: Feb 2004 Location: the road
Posts: 1,055
![]() ![]() ![]() ![]() | CONRAD (Gazzo) Noone is going to sound exactly like someone else, we've all had different life experiences and try as we might, we won't sound the same. But I'd like to sound like Conrad (even though I don't really).
__________________ Dylan Schwab Stage 1 New York |
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| | #29 (permalink) |
| Forte User | Resonant. I want to hear metallic objects around me vibrate sympathetically when I play. I also like to feel like I am seeing the note create in front of me when I play. James Thompson's sound is also VERY nice. He makes the buzzing book almost fun! Van
__________________ Stage 1 California Light '94 Bach Strad 37 1900 Eb Cornet LOUD Steve Patrick 10 1/2 C LOUD LM93 |
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| | #30 (permalink) | |
| Forte User Join Date: Nov 2003
Posts: 1,028
![]() | Quote:
that is what I think best fits. No matter how the greats adjust their tone or sound concept to fit the music it is always inspiring! | |
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