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| | #11 (permalink) |
| Artist in Residence ![]() Forte User Join Date: Jul 2005 Location: NH/CA/PQ
Posts: 1,756
![]() ![]() ![]() ![]() | JC is right The 2nd movement is in a very constipated sounding Ab min. if the piece is played in Eb (been there, done that). A min (open strings) sounds far more "open" and transparent (been there, done that too). Most, sadly, never have the chance to play the Hummel with an orchestra, and a piano sounds like a piano in every key. Check out Ghitalla's old recording in E (C trumpet) with Pierre Monteux... Best, EC ps: for you Londoners out there, Hummel's manuscript is in the British Museum. Last edited by ecarroll; 08-19-2006 at 04:27 PM. |
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| | #12 (permalink) |
| Moderator Fortissimo User Join Date: Mar 2006 Location: Home
Posts: 3,290
![]() ![]() ![]() | The Vulgano Brother theory: the Hummel was written for the Eb keyed trumpet and pitched in E so the sound on the important notes would always come out one of the tone holes and not the bell. The other stuff in E was written for valved instruments (including Verdi, who wrote chromatic licks designed to embarrass any trumpeter silly enough to bring only a Bb and no pencil to sight-read at opera rehearsals*). * Vulgano Brothers bring C trumpets and pencils to rehearsals (no erasers, though).
__________________ "A tool good enough to be so used and not too good" C.S. Lewis That Hideous Strength www.letsbuildhope.org |
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| | #13 (permalink) | |
| Mezzo Piano User Join Date: Nov 2003 Location: Sheffield, England, UK
Posts: 644
![]() | Quote:
Trust me, when playing violin I would much rather play in Eb than in E. For trumpet there are lots of orchestral parts for trumpet in E. Off the top of my head: Academic Festival Overture, Ride of the Valkiries, Dvorak 9, and a bunch of other stuff, I'm too far gone to remember at this time of day. Pitch in those days was so variable as to make a mockery of anyone trying to claim it was lower or higher for the benefit of modern instruments. It was a local phenomenon, you played in Vienna, you played in one pitch. You played in Paris, you played in a completely different pitch. That was then, this is now.
__________________ "...you have the perfect C Major chord, with blazing trumpets and inaudible strings." - Daniel Barenboim. | |
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| | #15 (permalink) |
| Mezzo Piano User Join Date: Nov 2003 Location: Sheffield, England, UK
Posts: 644
![]() | I'll have to check the parts I have, but I'm sure at least some of it is fro trumpet in E. Highly embarrasing if I'm wrong though.
__________________ "...you have the perfect C Major chord, with blazing trumpets and inaudible strings." - Daniel Barenboim. |
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| | #16 (permalink) |
| Artitst in Residence ![]() Fortissimo User Join Date: Nov 2003 Location: Brooklyn,NY
Posts: 2,511
![]() ![]() ![]() ![]() ![]() ![]() | I answered too quickly It is a common transposition, albeit a pain in the butt on the Bb trumpet. It is a must learn transposition. Wilmer
__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 |
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| | #17 (permalink) |
| Mezzo Piano User Join Date: Nov 2003 Location: Sheffield, England, UK
Posts: 644
![]() | Oops, Manny was right! I was thinking of Slavonic Dance by Dvorak.
__________________ "...you have the perfect C Major chord, with blazing trumpets and inaudible strings." - Daniel Barenboim. |
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| | #18 (permalink) |
| Pianissimo User Join Date: Aug 2006 Location: Munich
Posts: 107
![]() | ...and too Strauss' Don Juan, Eb trumpets in Ein Heldenleben(in Eb, but a little in E too), Schubert's "unvollendete"; opera stuff as Wagner and Verdi... E parts are more often in Literatur as we would wish...
__________________ Albert A. Castillo |
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| | #19 (permalink) |
| Pianissimo User Join Date: Aug 2006 Location: Munich
Posts: 107
![]() | ...Ah, sorry... ..about the strings on Hummel... Yes, it isn't so dificult in E or Eb. But there is a pair of excerpts, p.e. in 2nd movement: going from Am to Cm is better than going from Ab minor to Cb minor. That's why all strings players ask me to play in E (and that's the original too!)
__________________ Albert A. Castillo |
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| | #20 (permalink) |
| Pianissimo User Join Date: Feb 2004 Location: Toluca, Mexico
Posts: 158
![]() | The "Tocatta" movement from "Pulcinella" by Stravinsky lies perfectly on the E trumpet. Herseth used the Schilke E-F-G for that piece, using the E bell for Tocatta, the switching bells to G for the last few movements. I own a 4 valve Schilke E-F-G trumpet, and I'd say that E trumpets are surprisingly useful. I've used mine many times in the orchestra. A few months ago I used it for the 3rd movement of the Chopin First Piano Concerto - how many players have folded playing that on Bb or C trumpet????? I have friends with the Yamaha E-Eb trumpet, which is also a very nice horn. I recently had Charlie Melk adapt a Bach 239 bell for my E trumpet, making it sound as close to a Bach C trumpet as possible. JU Last edited by Johntpt; 08-26-2006 at 09:57 AM. |
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