JackD

Not at all, I agree.

jcstites

the best thing to do, is find an un-edited part. i know there are versions on the haydn online like this. then put your own markings in in. listen to all the great recordings, and compare them to the other printed versions, and do what you like. of course you should consult with your teacher about this.

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www.jonathanstites.com

brian moon

At the time Voisin and Ghitalla did not like each other very much.

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Revelation 3:20

Scott Apelgren

By all means you should check out the new editions of the Haydn, Hummel and others by David Hickman. Both have lots of historical information regarding articulations and ornaments. The Haydn has several views of the original score with some surprises. Including the sforzandos in the 2nd movement of the Haydn. That was ne w to me! Mr. Hickman has done a super job.

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Scott Apelgren
The Horn Section
Melbourne, FL

Lawler Bb

Here's a list of Haydn and Hummel from a small project I worked on a while back. It is by no means complete, but it should give you a starting point. CDs are listed by artist, title, and record label (if I could find it).

Hummel
Wynton Marsalis, Classic Wynton, Sony;
Hakan Hardenberger, Famous Classical Trumpet Concertos;
Maurice Andre, The Ultimate Trumpet Collection, Elektra;
Wynton Marsalis/Raymond Leppard, Debut Recording, Sony;
Rolf Smedvig, Virtuoso, Telarc;
Wynton Marsalis, Portrait of Wynton Marsalis, Sony;
Sergei Nakariakov, Trumpet Concertos, Elektra;
Wynton Marsalis, The London Concert, Sony;
Armando Ghitalla, Trumpeter Emeritus, Crystal;
Rolf Smedvig, Trumpet Concertos, Telarc;
George Vosburgh, Four Trumpet Concerti, Four Winds;
John Wallace, T for Trumpeter, Wallace Collection;
Charles Schlueter, Trumpet Concertos, Kleos;
Hakan Hardenberger, Trumpet Concertos: Haydn, Hertel, Stamitz, Polygram;
Timofei Dokshitzer, Trumpet Rhapsody, RCA;
Maurice Andre, Trumpet Concertos: Vivaldi/Telemann/L. Mozart/Hummel, Angel Records;
Ole Edvard Antonsen, Trumpet Concertos, EMI


Haydn
Wynton Marsalis, Classic Wynton, Sony;
Hakan Hardenberger, Famous Classical Trumpet Concertos;
Maurice Andre, Trumpet Concertos, EMI;
Maurice Andre, The Ultimate Trumpet Collection, Elektra;
Wynton Marsalis/Raymond Leppard, Debut Recording, Sony;
Rolf Smedvig, Virtuoso, Telarc;
Sergei Nakariakov, Trumpet Concertos, Elektra;
Wynton Marsalis, The London Concert, Sony;
Rolf Smedvig, Trumpet Concertos, Telarc;
George Vosburgh, Four Trumpet Concerti, Four Winds;
Charles Schlueter, Trumpet Concertos, Kleos;
Hakan Hardenberger, Trumpet Concertos: Haydn, Hertel, Stamitz, Polygram;
Maurice Andre, Maurice Andre Performs Trumpet Masterpieces, Polygram Records;
Ole Edvard Antonsen, Trumpet Concertos, EMI;
Adolph Herseth, The Chicago Principal: First Chair Solists Play Famous Concertos, Deutsche Grammophon

And yes, the Al Hirt Haydn with the Boston Pops/Arthur Fiedler is a scream! I have it on LP.

Clarino

Wynton has recorded both of these concertos twice. His debut classical album Trumpet Concertos has the Hummel in Eb and his album The London Concert has it in E. I recommend you listen to both, not only because his playing is flawless, but because it gives you an example of how the same player can approach these pieces in different ways.

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"...you have the perfect C Major chord, with blazing trumpets and inaudible strings." - Daniel Barenboim.

mike ansberry

I like the Gerard Schwartz version of the Haydn

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"Music is a fire in your belly that has to come out of your mouth, so you'd better put a horn in the way before someone gets hurt" (paraphrase of Bleeding Gums Murphy)

Dave Payn

Haydn

Crispian Steele Perkins on keyed trumpet (Hyperion label) and Maurice Andre

Hummel (in E)
Gerard Schwartz (don't know if this is still available! I have it on that ancient format - cassette!)

Hummel (in Eb)
Wynton Marsalis or Maurice Andre

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Amateur trumpeter
Cornet, Arran Brass
Brass band tutor for the Workers' Music Association Summer School

'When I'm down in the dumps, I just go and get myself a new hat.'
'I wondered where you got them from.'

Bill Dishman

I have probably 30 different recordings of these standard literature concertos. Some are very well done and other not so much.

When my private students work on these I have a CD where I dubbed the particular movement needed by about 20 different players. The reason is to expose them to a variety of approaches in the performance.
The are IMO some pretty poor examples but I feel my students can learn from that also. The ornamentations vary from different players so this is something to consider when making the piece "your own"

Bill Dishman
Gainesville, Florida