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| | #31 (permalink) |
| Pianissimo User | Good point John. On the one hand, they invested dollars in connecting Arturo with the Leblanc brand...so watering down that brand connection doesn't seem smart. On the other hand...if the Leblanc 357 isn't selling (which I suspect is the case), perhaps shifting to a more, ah, "desireable" instrument will do more for sales. Or...perhaps Arturo just realizes he's Arturo...and he plays whatever he wants. Who's really in a position to dictate what one of the world's best trumpeters plays? Dave Brown |
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| | #32 (permalink) | |
| Mezzo Piano User Join Date: Nov 2003 Location: Denver
Posts: 679
![]() | Quote:
Conn-Selmer makes money on either the TT or the Sandoval Signature, but they don't make the TT and only distribute it in the USA. I'd guess that they gain more from Sandoval sales than TT sales, but it's hard to know. Dave
__________________ Schilke '60 B1 Selmer Paris -- '57 #20 K-Modified/ '03 Concept TT w/ GR66.8B2.8 '94 Lawler TL cornet w/ Sparx 2B Conn Vintage One flugel - GR66FD www.pitpops.com www.ucm-inc.com Rocky Mountain Trumpet Fest | |
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| | #33 (permalink) |
| New Friend Join Date: Feb 2004
Posts: 14
![]() | I wonder who in the end picked up the tab on the TT he bought? Sandoval or Leblanc/Selmer? I notice that the TT is a 460/461 bore horn which seems a bit smaller than the 463 Leblanc he plays. Do any of the TT players have opinions on how this horn blows? Is it like Schilke's that play more open than their bore size because they are step bore. I don't know much about the TT but I wonder whether he may be having air issues as he gets older. He has been smoking for probably 30 years by now. Any thoughts? |
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| | #34 (permalink) | |
| Mezzo Piano User Join Date: Nov 2003 Location: Denver
Posts: 679
![]() | Quote:
The quick bell flare of the TT and perhaps it's leadpipe (you can't see it and Selmer Paris gives no meaningful guidance, so it's hard to know much about the leadpipe), makes it blow larger than a .463". For me, the nearest Schilke is a B1, which is actually a little less accepting of "big air", but close. The TT really gives the player tons of feedback off the bell and it's very dynamic. The bell is world class, giving a rich palette of overtones either behind or in front of the horn. Dave
__________________ Schilke '60 B1 Selmer Paris -- '57 #20 K-Modified/ '03 Concept TT w/ GR66.8B2.8 '94 Lawler TL cornet w/ Sparx 2B Conn Vintage One flugel - GR66FD www.pitpops.com www.ucm-inc.com Rocky Mountain Trumpet Fest | |
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| | #35 (permalink) |
| New Friend Join Date: Feb 2004
Posts: 14
![]() | I pulled the .461 measurement off a music stores webpage...apparently they were wrong then. If it is close to a B1 that would make sense then, after all, that's what he started with before he got the X3. Here's the webpage I pulled that measurement from. http://www.kesslermusic.com/SelmerLe.../ConceptTT.htm Tulsa band also lists it as a .461 http://www.tulsaband.com/WebStore/ma...ufacturerid=12[/url] |
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| | #36 (permalink) | |
| Mezzo Piano User Join Date: Nov 2003 Location: Denver
Posts: 679
![]() | Quote:
I'd say that the TT plays closer to the X3 than the B1, but it's in between those two. Anyone that likes Schilke will probably like the TT, IMHO. Dave
__________________ Schilke '60 B1 Selmer Paris -- '57 #20 K-Modified/ '03 Concept TT w/ GR66.8B2.8 '94 Lawler TL cornet w/ Sparx 2B Conn Vintage One flugel - GR66FD www.pitpops.com www.ucm-inc.com Rocky Mountain Trumpet Fest | |
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| | #37 (permalink) |
| New Friend Join Date: Nov 2003 Location: brooklyn
Posts: 24
![]() | The TT feels more open to me than the B1 that I used to own, by a considerable margin. I love mine. It combines the stability of a heavy horn (at the front end and valve section) and the resonance and response of a light horn (in the minimal bracing and light bell). I don't think there's anything quite like it in that regard. |
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| | #38 (permalink) | |
| Mezzo Forte User | Quote:
__________________ Michael Smith Hullabaloo: The official band of Texas A&M Basketball Kanstul 1537/ Schilke 14 LA Olds Studio | |
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