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| | #11 (permalink) |
| Mezzo Forte User Join Date: Oct 2007 Location: Sydney, Australia
Posts: 728
![]() | Re: Conn 6B question Morris - I reckon it would be a "fair bitch" to play alongside you - particularly for those of us that have subjugated our desire for 'screaming' just to play toneful, tuneful, gentle ballads like Londonderry Air, Somewhere Over The Rainbow, Summertime, What a Wonderful World, and Dixieland versions of Amazing Grace - but I will give anything a try, once. I hope you find the horn of your dreams.
__________________ Ted |
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| | #12 (permalink) | |
| Mezzo Piano User Join Date: Apr 2007
Posts: 642
![]() | Re: Conn 6B question Quote:
which is why I have a deep Bach 7 (no letter) for playing low ballads on my .485 bore Conn 5A cornet (achieves a semi-flugel tone), and I am looking for a Conn trumpet for screaming with my shallow Weril W46 mouthpiece. Why choose one or the other when you can choose both? Plus, I have noticed that warming up and doing scales and songs up to High F will then increase my flexibility and control for playing low ballads that top out at only top-line F (if I rest a few minutes in-between). If I neglect high register playing for a while then I lose some of my low-register flexibility so that I cannot slur as well on slow, soft ballads. That might be due to the challenge of playing a fairly deep Bach 7 (no letter) with a .485 bore cornet? I don't remember having that flexibility challenge when I was playing a .460 bore Holton cornet. - Morris
__________________ 1962 Conn 5A cornet Weril W46, Bach 7E, Bach 7 Last edited by screamingmorris; 06-19-2008 at 07:13 AM. | |
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| | #13 (permalink) |
| New Friend Join Date: Mar 2008 Location: Illinois
Posts: 37
![]() | Re: Conn 6B question I have been trying to figure out for some time a definitive answer to the original question about the real difference between the Connstellation and the 6B Victor; aside from the obvious first valve trigger. I had a friend back in school that played beautifully on a nickel plated connstellation. I played that horn and experienced it's fine quality. I couldn't understand why there were 25 Bachs in my school band with so many other choices available? Sheep I guess.. Anyway, a year ago or so I went looking for a suitable horn to play in a community band. When I came across a very clean silver Victor I snatched it up. I am convinced it is the best horn I could have bought for the price. It has the look, the feel, and the sound of my old friend's connstellation that I was so impressed with. I have yet to do a side by side comparison but I have decided for myself that it is virtually the same horn. Are there any conn enthusiasts out there who actually have done a side by side of these two horns? |
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