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| | #11 (permalink) |
| Pianissimo User | Re: Range needed to be a pro? Pro Essentials. I work pretty extensively as a free lance artist in my area. I am not a "lead" player. That being said, i have never found myself in a situation where I could not cover a particular part. I have a C to C range. Yes, I can player higher, but I would never feel comfortable playing let's say lead on a three hour big band gig. However, I am comfortable doing show work. You should have good technique, and an even timbre' from C to C You should have a beautiful sound and good reading ability with a knowledge of different styles is essential. Play everything you can. Play orchestral excerpts, big band gigs, combo gigs, learn to take a solo and not be "sad". Get as much experience as possible and be able to read!!!! |
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__________________ http://www.wvtrumpet.com | |
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| | #13 (permalink) |
| Forte User
Join Date: Jun 2006
Posts: 1,072
| Re: Range needed to be a pro? |
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__________________ "I was performing professionally at age 17 and have never had a real job." Allen Vizzutti http://cdbaby.com/cd/mcking | |
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| | #14 (permalink) |
| Mezzo Piano User | Re: Range needed to be a pro? You don't understand. If you're a halftone away, why would it be "physically impossible" ? |
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__________________ brem ----- Stage 1 California Light - Schilke 15B mpc Bach Stradivarius Bb Model 37 * #124xxx (circa 1975) - Schilke 15B mpc Yamaha YFH-731 Flugelhorn #000xxx - Yamaha 14F4-GP mpc | |
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| | #15 (permalink) | |
| Fortissimo User
Join Date: Jun 2006
Location: Germany
Brand: Nat, Piston, Rotary
Posts: 3,502
![]() ![]() ![]() ![]() | Re: Range needed to be a pro? Quote:
High G is an octave above the staff. You are absolutely right in your thought train though. If one does not use force against the lips to press out the high F#, the high G will always come out as it is on the same partial - eventually with a thinner sound. Ab to double C should also come out, but all partials are not created equal! | |
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__________________ Whenever I feel blue, I start breathing again. | ||
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| | #16 (permalink) |
| Mezzo Piano User | Re: Range needed to be a pro? Thanks for confirming my assertion was right. So how do you call the other Gs? Midlle G, Low G, Very Low G ?:) |
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__________________ brem ----- Stage 1 California Light - Schilke 15B mpc Bach Stradivarius Bb Model 37 * #124xxx (circa 1975) - Schilke 15B mpc Yamaha YFH-731 Flugelhorn #000xxx - Yamaha 14F4-GP mpc | |
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| | #18 (permalink) |
| Mezzo Piano User
Join Date: May 2005
Location: Scotland
Brand: Monette
Posts: 545
| Re: Range needed to be a pro? As Wilmer said "Flexibility of style" has to be one of the most important issues. In the UK we have a player called Derek Watkins who has done big band, Bond film scores, Harry Potter and all sorts of other things across many different styles and i think the ability to do that has helped him earn a consistent living. Its got to make a difference if you are able to play comfortably in a wide range of settings. |
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__________________ "O trumpeter, methinks I am myself the instrument thou playest, Thou melt'st my heart, my brain--thou movest, drawest, changest them at will;" (Walt Whitman) | |
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| | #20 (permalink) | |
| Mezzo Piano User
Join Date: May 2005
Location: Scotland
Brand: Monette
Posts: 545
| Re: Range needed to be a pro? Quote:
Check out my web site Gordon Hudson: Scottish Trumpet Player. | |
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__________________ "O trumpeter, methinks I am myself the instrument thou playest, Thou melt'st my heart, my brain--thou movest, drawest, changest them at will;" (Walt Whitman) | ||
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