![]() |
![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
|
Welcome to TrumpetMaster.com You are currently viewing our trumpet site as a guest, which gives you limited access to many features. By joining our community you will be able to post topics in our trumpet forum, place ads in our classifieds, add your upcoming event to our calendar, communicate privately with other members (PM), and access many other special features. Registration is fast, simple and absolutely free! We hope you will join our community today! |
| |||||||
![]() |
| | LinkBack | Thread Tools | Search this Thread | Display Modes |
| | #1 (permalink) |
| Artitst in Residence ![]() Forte User Join Date: Nov 2003 Location: Brooklyn,NY
Posts: 2,366
![]() ![]() ![]() ![]() ![]() | Stokie The American Symphony was one of the first gigs I got when I moved to New York from Baltimore. I auditioned for Leopold Stokowski at his apartment. It was like a movie set! Exotic instruments all over the place. It was the whole floor of the apartment building.....and I hear it was a rent-controlled pad. I can't remember what I played for the Maestro, but when I finished he said,"You are a Philadelphian." I was startled! How the heck did he know that? I was offered a position on the spot. The ASO is a free-lance orchestra, in those days tenure was out of the question. Jimmy Stubbs was the principal,Gerry Schwarz was co-principal and Lou Ranger made up the section. We played some seriously strange music, Check out a piece titled "The Jungle." The composer is Werner Josten. I think the recording is still around. There is an instrument that reproduces a .....Lion's roar I got a chance to work with Igor Markavitch with the ASO. We did several performances o f'Le Sacre." He did not use a score at any time. Not at rehearsals or concerts. Now that's scary! He knew The Rite of Spring. Stokie was fearless. He hired minorities long before it was mandated by law. Man, do we need a guy today to shake things up like he did in Philly Wilmer
__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 |
| | |
| | #3 (permalink) | |
| Artitst in Residence ![]() Forte User Join Date: Nov 2003 Location: Brooklyn,NY
Posts: 2,366
![]() ![]() ![]() ![]() ![]() | Quote:
Wilmer
__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | |
| | |
| | #5 (permalink) | ||
| Artitst in Residence ![]() Forte User Join Date: Nov 2003 Location: Brooklyn,NY
Posts: 2,366
![]() ![]() ![]() ![]() ![]() | Quote:
Scared the heck out of me! Keep your eyes on those guys, you never know what they're up to Wilmer
__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | ||
| | |
| | #7 (permalink) |
| Fortissimo User | The last year my daughter was in University she was equipment manager for the wind ensemble. She had me searching everywhere to see where they could beg/buy/rent/borrow/steal a "Lion Roar". Never did find one and we kinda knew what they looked like too. Has to be the first thing we failed to find on Ebay!!! |
| | |
| | #8 (permalink) | |
| Mezzo Piano User Join Date: Jan 2005 Location: Minnesota
Posts: 668
![]() | Quote:
Like this?? http://www.worldmusicalinstruments.c...oaded/cuic.wav
__________________ Bach Strad 180S37 Monette B2 Well, if I could play like Wynton (Marsalis), I wouldn't play like Wynton. Chet Baker | |
| | |
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
| Display Modes | |
| |
![]() Copyright 2006 TrumpetMaster.com |
All times are GMT -4. The time now is 06:29 AM.
Powered by vBadvanced CMPS v2.2.0/Links 1.01 Powered by vBulletin® Version 3.7.2 Copyright ©2000 - 2008, Jelsoft Enterprises Ltd. Search Engine Optimization by vBSEO 3.0.0 RC8 |