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| | #11 (permalink) | |
| Mezzo Forte User Join Date: Nov 2003 Location: Manchester / London
Posts: 763
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| | #13 (permalink) |
| New Friend Join Date: Apr 2006
Posts: 31
![]() | Hi- a few more suggestions: Old Battlefields, by Edward Shipley, published by Forward Contemporary Music. This is an English piece written for John Wallace and Evelyn Glennie for trumpet/autoharp and marimba, bamboo windchimes.... It is based on a verse by Basho: Old Battlefields fresh with spring flowers again, all that is left, of twice ten thousand warriors slain. The piece is approprtiately quiet and reflective, and quite effective in performance. duration: ca. 11mins Check out 'Observations on Weather Forecasts' by Yoji Yuasa. This very cool piece for Trumpet and Baritone (trumpet player must sing a little too!) has the Baritone delivering a weather forecast, whilst the trumpet very effectively 'colours' it. lots of Kryl style hocket between the voice and trumpet. Published by Schott Japan, I think. The players are required to wear ski masks while playing this one. Check out some of the amazing song repertoire out there. Easy on the Chops in a big recital and extremely rewarding musically. I have often programed some of Poemes pour Mi, which Messiaen wrote as a wedding gift for his first wife. Absolutely, gorgeous genius stuff. Also check out Ives big book of 114 songs. Some major major pieces here, which don't often get played. Lots of cool fife obligatos that work well on picc trumpet, and of course the bubbling melting pot of musical styles of our first postmodern composer, from the ironically jingoistic, to the confrontingly massive forearm chords of 'Majority', to heartbreakingly tender music of 'songs my mother taught me'. (works well on Flugelhorn) Check it out. I hope this helps... Tristram |
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| | #14 (permalink) |
| New Friend Join Date: Apr 2006
Posts: 31
![]() | I should add 'Vision' and 'Pieta', which both have vocalists, by Stockhausen, are two of the the greatest works written for our instrument. They would take an enormous amount of preparation (memory, movements around the stage, etc.), but, hey, what is it that we musicians do all day? Tristram |
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| | #15 (permalink) |
| Artist in Residence ![]() Forte User Join Date: Jul 2005 Location: NH/CA/PQ
Posts: 1,428
![]() ![]() | Tristram, Good to hear from you, mate... I thought of the Stockhausen works but didn't mention them since ML is putting on three shows and both Vision and Pieta take a mounain of preparation/staging. I agree wholeheartedly that they're amongst the best trumpet/theater pieces that we have. . . magnificent (and you're right -- what more important things do we have to do?) Thanks also for the Edward Shipley and Yoji Yuasa titles. There's been interest in Japanese music expressed on my forum earlier. Charlie and Matthew might note this title (!) John and Evelyn used to collaborate quite a bit. Have you heard John's recording of the Vackar Concerto? It's a pretty good piece. Best, EC |
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| | #16 (permalink) |
| New Friend Join Date: Sep 2006
Posts: 6
![]() | Wow, these are all really great suggestions. Many thanks, again, to everyone. Ed, I've been in touch with David Bithell. He doesn't seem to have any pieces that involve trumpet and text. Apparently, he's more into theatrical elements, as in the Stockhausen pieces mentioned above. He did, however, suggest Kagel/Morceau de Concours, and Gaburo/Mouth-piece. Any idea where I can track down copies of Death of an Eagle and the Adolphe Madrigali? I've searched around online quite a bit, but can't seem to locate either. Just to throw out some more... Dan Coleman/Liquid Prelude (recorded by Kevin Cobb), Robert Starer/The Mystic Trumpeter, Stanley Friedman/She Walks in Beauty, Eric Ewazen/...to cast a shadow. |
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| | #17 (permalink) |
| Pianissimo User Join Date: Sep 2005
Posts: 56
![]() | Hi Ed and Tristram, Greetings to you both! Joji Yuasa was on the faculty at UCSD when I was there (1985-90). Observations on Weather Forecasts was written for/in collaboration with the music theater duo [THE] of Edwin Harkins (my trumpet teacher at the time) and Phil Larson (voice). It inevitably bears the stamp of their wacky sense of humor and as such, probably stands apart from most of Yuasa's other works. http://www.musicfromjapan.org/resources/m41w30.htm http://www.tokyo-concerts.co.jp/artist_e/yuasa.html Best, -Tom |
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| | #18 (permalink) |
| Artist in Residence ![]() Forte User Join Date: Jul 2005 Location: NH/CA/PQ
Posts: 1,428
![]() ![]() | ML, The Stockhausen pieces above both have text as well as theater. The Kagel "Morceau de Concours" exists as both a solo and duo. No text, however. I should have thought of Gaburo's "Mouth-Piece". Tom Dambly plays the hell out of it, by the way, and I'll have a DVD of him playing it at Chosen Vale soon. It's published by Larry Polansky (Frog Peak) in Hanover. I can send Madrigali & Death of an Eagle. Contact me at edward.carroll@dartmouth.edu Cheers, EC |
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| | #19 (permalink) |
| Pianissimo User Join Date: Aug 2005
Posts: 59
![]() | Man, what can happen when you don't check the boards for a week. I'll have to look into this Joji Yuasa piece...yes, I do own a ski mask these days. ciao, CG P.S. Congrats to Dambly
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