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Jensen on Jazz Discuss Being on "Time" in the Artists in Residence forums; I´m back! The way to get into the swing gear is to listen and sing... daydledeeldedadlledowdlledoodle (sp!) your ...
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Old 01-04-2008, 07:37 PM   #11 (permalink)
Smithi20
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Re: Being on "Time"

I´m back! The way to get into the swing gear is to listen and sing... daydledeeldedadlledowdlledoodle (sp!) your songs over great drummers, with iPod on the bus (you´ll be guaranteed seats on either side!) or at home anytime, and clap... on the 3 and a half! Stamp your feet, bang the table! Digging in to a beat is as much a physical as a mental thing, IMHO

PS there is a book to be written about the development of time.... best thing to do is to listen to what you love!
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Old 01-04-2008, 10:46 PM   #12 (permalink)
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Re: Being on "Time"

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Originally Posted by duval View Post
Does anybody have any tips for jazz phrasing/timing in really contemporary stuff - I tend to either have way too much swing or play it like it were latin??? Some of the modern guys get a really 'jazzy' (sorry) feel to their phrases but they seem to be playing it straight 8ths (Brecker especially) Am I right in thinking this is what Bear was mentioning when he said "I've come to notice that "being on time" is not a clear as it was say just twenty years ago."?
It has to do with phrasing and accents. From about 1945 onwards "swing" 8th notes are not triplets, or even 3-2 or 8-5, but really straight-with accents on the "and" and a slur from the off-beat eighth note to the down beat. Ingrid mentioned John McNeil's Art of Jazz Trumpet-absolutely essential, the only only book to ever actually deal with the mechanics of "swing". He provides valuable exercises to accomplish this. But it all comes down to listening. Miles in the fifties, Art Farmer, Clifford Brown, Milt Jackson, the list goes on. You have to listen close. Try the original version of Walkin', both Miles' and Milt's solos are textbook examples of swing eighth notes.

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Old 01-05-2008, 12:05 AM   #13 (permalink)
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Re: Being on "Time"

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POPS- play with Pops, then Lester Young, Dexter Gordon,Chet, more Pops,
Clark Terry, Miles-Kind of Blue(learn all the solos).People with strong,yet individual swing feels. Play and transcribe....

Books with helpful advice and practical exercises- John McNeil (art of jazz trumpet) and Hal Galper -Forward Motion.
have fun!
Thanks for these suggestions! I personally am really into Woody Shaw's playing. I have a book of his solos, but I suppose it would really help to get into older style players before trying to play modern stuff.
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Old 01-05-2008, 12:07 AM   #14 (permalink)
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Re: Being on "Time"

Oh, one thing I also do to work on time is playing drums (along with recordings). I find it helps. I'm not that great of a drummer, but it really forces me to feel the groove, whether it's swing or straight.
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