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Originally Posted by butxifxnot (Since I read the thread started by Mr. Wise about how many blasted mutes he has, I figure I'd ask him.)
I have a practice mute, and I used it quite a lot. A former director told me that the added pressure is good for younger players because it "makes you blow". Well, an interesting thing: certain aspects of my playing seems to be better with the added pressure of the mute now. IE range is more flexable, I can actually hit a pedal C without cheating (bending the G down...) While I'm sure the mute has helped me by getting me to use air, I'm kind of unnerved that some of my playing sounds better with that mute...
Can I transfer that effect of the added pressure (or fool my mind into imagining it) to my playing without the mute (or without the pressure, whichever's better)?
BTW, when I say pressure, you do know that I mean "back-pressure" and not lip pressure.  |
If done the right way and in limited amounts it can help with some things, though i do not recommend it to a high school student.
you might get better results by flutter tounging a passage, instead of playing it with a mute.