mikeblutman

The purpose of this post is to get Mr. Carroll's and others' opinions on transcriptions. As some of you might have read in the "college auditions" section, I have cited the use of transcriptions of vocal literature to boost my musical development.

Do you advocate the use of transcription as a musical development tool in your teaching much, Mr. Carroll? What can be some advantages or disadvantages in your opinion of the use of such material instead of or in conjunction with more standard trumpet material (etudes, solos, etc)?

Thanks,
Mike Blutman