Dear TrumpetMaster members:
I have been asked why I have 'Forza' in my avatar and thought I'd share my Forza story here.
INTRODUCTION:
First off, I think its fair to say there are quite a few members on this site that are as obsessed with trumpets as I am, so I'm sure you'll relate to my story. About four years ago, at age 38, I started playing the trumpet seriously again after dabbling on and off for 15 years. I quickly discovered a wealth of information on the internet related to trumpets. It was like being born again, so to speak!
I became active in trumpet forums and starting searching out all kinds of information on
the plethora of trumpet brands and designs available. When I began to hear people talk
about Monette, Taylor, Wild Thing, etc. I began to wonder what it was about these horns
that made them so much better than the 74 Benge 3X I had played since 77.
In a short time I let go of any brand loyalties I had and really took an interest in what
different players around me played and what people in forums had to say about different horns.
Soon, I began to 'lust' after many of the wonderful horns that people were describing.
That lust led me to the Zeus brand of trumpets. I was thrilled when I bought a new Zeus
trumpet for $975 in November of 2002. It played so much better, as an all around horn, than
the previous Benge's I owned. That horn served me well until June 24, 2005, the day I
took delivery of the first Forza prototype.
THE OLDS CONNECTION:
A couple years ago a good friend of mine, W, showed up at a rehearsal with a blue trumpet.
"Hmmm....that's interesting", I thought to myself. So, I asked him what the deal was
and he said it was an Olds Ambassador from the 50's that had been restored. He bought it
cheap and ended up liking it so much he used it for all of his playing. Being this guy
is a highly respected pro player and friend of mine, I didn't question his decision.
Then at a New Year's gig in Jan. '05 another friend, R, tells me how much he enjoys his Olds
C trumpet. "Olds C trumpet? What?". So he explains how he and several other players,
including W, bought Olds Amabassadors and had them converted to C trumpets and how they
preferred them to the Bach C trumpets or whatever else they tried.
Now I was interested. I had a F. Besson C trumpet that played OK, but nothing like my Zeus Bb.
Also, I had no pressing need for a C trumpet. Something made me want to see for myself, so
I asked W to try his Olds C trumpet.
Wow! The horn played like a dream compared to any other C's I tried. It played nice and open
and much more in tune. Within the week I bought a 55 Olds Ambassador on Ebay and made arrangements
to have it converted to a C trumpet.
When the conversion was completed in March '05 I was very pleased with the results. I had
less than $700 in the Olds C and it played great. Everyone who tried it was impressed.
Then, the wheels started turning. Maybe I didn't need to lust after a Wild Thing, or Eclipse,
or whatever. Maybe I could actually afford to have a custom horn built to my specs if I started
with a 50's Olds Ambassador. So, I bought another one and started on a journey.
THE CONCEPT:
I started to make note of trumpets that had a reputation for being free blowing, Benge, Schilke,
WT, Eclipse and so on. These all had a lot less bracing or were lighter than my Olds or my Zeus. They also didn't have the squared off tuning slide like a Bach, Zeus, or Olds. Also, the designers of these
horns put a lot of time into getting the leadpipe right.
More research and exploring mental concepts of the sound I wanted led me to Rich Ita's wonderful Pilczuk
leadpipe's. I selected a rose brass leadpipe he makes for Olds trumpets from a group of 5 choices
he let me try out. This alone made a huge difference in the Ambassador's character.
I made some crude sketches of curved tuning slides and picked some bracing locations and went to work with my builder. He disassembled the Olds and rebuilt it with the new leadpipe, tuning slide and braces.
When I played it I new we had a winner - a rich sound in the staff with the ability to soar up high,
nice fast and light valves with a great feel, oustanding intonation from the leadpipe, low resistance and
fast attack as well. The pieces all came together.
I had obtained all I wanted in a custom horn for well under $1000. Everyone that has played my
horn has had nothing but good to say about it. Which leads to....
THE BIG QUESTION:
Is there enough interest to actually market these horns I call Forza?
They are not new, of course, and are not shiny and perfect. But they do play well, very well.
Recently my friend W, who has an impressive upper range, lit into my horn on a gig and
played with a power, clarity and ease which I've never witnessed before - it was awesome.
(He's now considering similar mod's to his Olds).
Ask yourself if you would pay $750 for a 'born again' trumpet that just might play better
than a new $1600 factory horn. For $750 I can buy all the parts it takes, pay my builder and
pay myself a little for the disassembly and finishing work.
Please, I respect the opinions of this forum, give me an idea if this crazy idea could sell.
Thanks,
Greg Zent.
PS - Here is a web page I made to advertise these horns:
http://webpages.charter.net/gntzent/...zaTrumpets.htm
Here are some advertising pictures I took of one of my prototypes:
http://webpages.charter.net/gntzent/...s/Forza556.jpg http://webpages.charter.net/gntzent/...s/Forza558.jpg http://webpages.charter.net/gntzent/...s/Forza562.jpg http://webpages.charter.net/gntzent/...s/Forza567.jpg http://webpages.charter.net/gntzent/...s/Forza568.jpg