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Originally Posted by joshuasullins why is everyone using such huge mouthpieces? If you need to have a "darker" sound, I don't like using the terms bright and/or dark. What you mean when you say "dark" is typically a sound without certain overtones. I think that most orchestral players actually play with a good amount of overtones in their sound. That is something that I believe most professionals have in common regardless of style or genre. If you have to use a huge mouthpiece to get a "dark" sound, that is cheating just as much as having to use a shallow mouthpiece to get a bright sound or to achieve more range.
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Joshua |
i kind of agree with some of the stuff you said... i believe that you should be able to play any type of music on one mouthpiece and leave it at that. I also don't like to use the terms dark and bright and i only do so because it seems more widely understood. However... with me i have big lips, therefore, it is hard for me to play narrower mouthpieces. If you've played on big mouthpieces (actually played them for your only mouthpiece, not just tried them) you would understand why you need to switch between mouthpieces. It's not cheating if the mouthpiece fits you... no one cares that maynard plays a jet tone or a monette and switches in the middle of a concert. if it works for you, you do it. You can get a bright sound on these "huge mouthpieces" but there is no point in beating yourself up as much as you have to to achieve this. I could play a 7 hour show on my 1B playing lead screaming double c's and go home with my tongue hanging on the floor and do it again the next night and not miss more than 5 notes. and i COULD do that every night... but what would be the point in beating myself up that much. there's an extent to where it does become cheating but there's also the point of stupidity...
