| TMers-
There are many great ideas here. Matt & Trent spoke on how important it is to be able to play ALL styles are a freelancer. Stephen - thanks for the link to Nick's article ... he had many great points, and I encourage everyone to check it out.
I can only speak of my own experiences. I came to NYC in 1986. All that I wanted was to make a decent living, try to be a nice guy & have some fun playing the trumpet. 20 years later, I don't know if that is still possible. While I still believe that there is work for great players/nice people, the economic conditions here are difficult. Rents are outrageous, commuting is expensive and work is dwindling.
However, if you're willing to play different styles, your stock goes up. Some folks here (NY) would rather sweep floors than play a gig that is "beneath them" artistically. That's fine. Ten years ago, there were certain gigs that I'd "pass on" too, but it's a different world now. I do everything I can, from a free rehearsal (maybe even just to "network") to Carnegie Hall.
My two cents to Zeb (and all), is to be a "jack of all trades" player as much as possible. It may not get you in the NY Phil, but it might keep you from sweeping floors.
Best -
Tony |