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Originally Posted by kadleck that he/she will not get hired until they have proven that they can get along (socially and musically) with others. The pool of great players is way too big to send in someone who is a drag, regardless of ability. |
TK,
This scenario is true everywhere... I think we have all experienced this. Even as an amateur player, I do gigs with a lot of great talent but sometimes I just want to grab some of them and tell them to keep their mouths shut.
Obviously, we don't stop being human beings when engaged in music making. And I'm talking about the social aspect... the conversing, the assistance, critisism, and the ability to reflect on the music just made etc. If a person is a pain or maybe just a little abrasive - it's really hard to like making music with them. Politics, Religion and Money seem to be topics of great energy...
I play with 2 individuals that couldn't be farther apart in their personal beliefs. One is super right wing and the other is way out in left field. Why they feel they need to use the music scene as a platform for their belief system is beyond me. I don't mind them sharing their views... always curious and respectful of that... but you know what... if I don’t ask you out for coffee to discuss after the 5th time you bring it up… then leave it in the case.
In regards to auditions, there is always the risk of abusing the "good ol boy network"... but for the most part... I think it's great that Broadway still operates this way. Good for you guys!
Rogerio