| So this begs the question: how does one develop this in singular practice? Obviously, you cannot generate resultant tones by yourself; but how do you develop the skill to nail pitches so centered that in a section setting you produce them without having to adjust (the ideal setting...having a section that produces them consistently). Does section blend have an impact as well? For example, if you are playing a 1st inversion triad with root in the lead, should the lowest voice being strongest impact this?
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-Glenn
"Roses have thorns; shining waters mud. Clouds and eclipses stain the moon and the sun; and history reeks of the wrongs we have done. After today, after today, consider me gone."- Sting |