| Minimalist recording sessions Mr. Wise,
A friend of mine started talking about Koyana--you know, the Phillip Glass movie--and I remember from that Peabody interview that you had played on that. A question I've always had: in that sort of minimalist music, how much of it is seamless--are you expected to play nonstop sections, etc., and if so, how to keep the chops fresh?
Thanks! |