| My thoughts lie along the lines of Michael's, but even more severe. A pro player is only as good as his worst day. I've been in situations where the schedule demands my playing to be at an extremely high level; while at the same time suffering from debilitating colds/flu/fatigue. In those situations, my playing is never as good as I'd like - but it's always functional. I think there is a point where non-professional musicians have to decide whether their bad day is to the point of non-performance; is it better to sub-out the gig/ cancel the performance, or turn in a sub-standard version of your trumpeting self.
The trumpeters, of whom I greatly admire, sound very, very good on their worst days. I do give some exceptions to those at the end of their careers; I do believe that's a different situation.
hmmm.
-Kelly
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“This art is acquired only by laborious studies, for the rebellious nature of the instrument demands a great aptitude coupled with a persevering willingness to become a master of it.” – F.G.A. Dauverné (1857) |