| How to practice different styles
I posted similar thread about this on trumpet herald. In order to play different styles of music (jazz, classical, lead etc.) what kind of material do you find you need to practice? In order to play these different styles, do you approach arban, clarke, charlier, stamp, and other trumpet methods the same way? How do you practice and adjust for different tonal approachs to each style? For example, I wouldn't expect someone to expect to play with the same sound as lead trumpet in a jazz band as they would for sitting in a symphony brass section or even the same tonal approach a jazz setting. How do you tackle this difficult scenario? |