rowuk

Is it conceivable that any one player would be suitable for all of the positions available. Is the playing so "interchangeable"? Do you think that a Tom Stevens student could have a stylistic edge in LA, or a Phil Smith student better fit in with the section in NY?
Do you think that Boston would favor someone WITHOUT a Monette?

I am not trying to be catty here. Should each orchestra have their own personality, their own artistic stamp? I sure remember Ormandy's "Philadelphia Sound" and Mr. elegant Gil Johnson fitting that concept perfectly for instance!
The recording of the Gabrieli stuff with Philadelphia, Cleveland and Chicago was a perfect demonstration of the variety of "style" that still could produce a cohesive musical statement. Those players were not "interchangeable" as far as I am concerned!