Quote:
Originally Posted by wilcox96 |
Thanks for the reference to the book, however, I'm working with a published piece of music. It's the solo part to a full big band arrangement. If the nomenclature means what you say, why would the A chord in the last and third to the last bars be written as just A and not A+7?
My original thought is that they may be the same as these "Aebersold" nomenclature chords:
Db+9 = Db7+9 (the chord scale would be the diminished whole-tone scale Db D E F G A B Db)
____________+9
G+7(b9) = G7b9 (the chord scale again would be diminished whole-tone G Ab Bb B C# Eb F G) Why not use the same nomenclature as the Db+9? Don't they both use the same chord scale, aren't the sounds of the chords essentially the same?
D+7 = D7+ (the chord scale would be the whole-tone scale D E F# G# Bb C D)
Does that make sense wilcox96?
Can anyone tell me if this is correct?