thomashooten

HI,

When it comes to playing these excerpts, try to focus primarily on manifesting the character of the music. Ask yourself, what would my body have to do to feel and make (for example) Ravel pno concerto exciting and fun? Usually, this type of approach reminds me to stay loose with the air, or relax my legs or whatever.... Although we need to make these excerpts clean with good intonation, the overall character should be the focal point in playing them. Make this idea physical, not only mental. I find that I'm more accurate with good intonation and phrasing when I'm not just thinking of "perfection".
Most of the excerpts we play have a underlying vocal quality to them. For example: Don Juan is one that I like to really get into character with. I try to focus on the free spirited quality of this music. What is Don Juan's demeanor throughout the piece? Is he tight or loose? What do you think his voice is like when he shouts "aaaaaa haaaaaa"? What would your voice have to be like to say "aaaa haaa.?? Probably really free and uninhibited.
This probably sounds a little different, but give it a try and see what you learn.


Tom