lupin62

Hello, I am a college student and I was wondering how you handle minor chords in blues scale progressions. I've found sometimes that they can throw a wrench in the works and make everything sound weird. I was told by a trustworthy source (another student) that if you just omit the third of the chord then you should be fine. (would this mean that if you have a diminished chord you would have to omit the third and fifth? So many note decisions on that if it's true) Anyways ... I was just wondering that as an overall question. I was also wondering how else you could approach it because I've been told there are other ways to deal with it.

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- Bryan Young