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| | #1 (permalink) |
| New Friend
Join Date: Oct 2007
Posts: 44
| So, I'm listening to some recordings of Miles Davis (Winter in Europe 1967) and its a really great tone, obviously, and I read a lot about the person mattering more than the trumpet, tone-wise, and I'm still learning and practicing and focusing on tone, but am I really supposed to be able to sound like that? Also, I read a comment talking about lightweight trumpets really peircing the ears in an orchestra, and I have to agree - between what I hear with fellow (granted, high school) trumpets with lightweights for marching (in the concert band) and orchestras, there's a huge difference I can't describe. I play on a Strad 37 with a Bobby Shew Marcinkiewicz. It is sometimes too bright (the best I can describe it) even for me. Eh, I'll go google for trumpet tone practice, or something now. |
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| | #2 (permalink) |
| Moderator Mezzo Forte User
Join Date: Feb 2004
Location: the road
Posts: 852
| Re: Can I sound like Miles on a strad? I'm afraid Miles would sound like Miles even on a Strad, and you would probably still sound like you on a Committee. Sound is first and foremost in your head. |
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__________________ Dylan Schwab Stage 1 New York | |
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| | #4 (permalink) |
| Pianissimo User
Join Date: Oct 2007
Location: Montreal Qc Canada
Brand: Celebration by Flip Oakes
Posts: 120
| Re: Can I sound like Miles on a strad? I played the same Strad for more than 28 years before my Celebration. I could sound like who I wanted. Miles , Freddie, Clifford, Maurice Andre, Wynton, Chet Baker etc... Conception of sound is in your head and when you think in tonal colors you can get a very personal sound having been influenced by your favourite player.Just listen one after another Clifford/Lee Morgan/Freddie Hubbard and then Woody Shaw. You will hear so many things in common even some of the same licks but in the end ýou still know who's who.Take your influences and then make it your own.Making music and being creative is what it is all about! |
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__________________ Celebration Bflat by Flip Oakes Early Yamaha Flugel prototype(Guido Basso) GR and Stork mouthpieces | |
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| | #6 (permalink) |
| Forte User
Join Date: Jun 2006
Posts: 1,161
![]() | Re: Can I sound like Miles on a strad? What about the heroin? |
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__________________ "I was performing professionally at age 17 and have never had a real job." Allen Vizzutti http://cdbaby.com/cd/mcking | |
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| | #8 (permalink) |
| New Friend
Join Date: Jun 2006
Location: Lexington, KY
Brand: this and that
Posts: 22
| Re: Can I sound like Miles on a strad? Didn't he play on a Holton Heim mouthpiece for a long time? Those are pretty deep and cornet like. Miles is Miles and none of us will sound like him but that mouthpiece is pretty different than the Bobby Shew model. Once you get a sound concept solidified on your main horn, why not fiddle with equipment to help modify a sound to something else you may want for a particular setting or piece? Arlo |
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| | #9 (permalink) |
| Moderator Fortissimo User
Join Date: Jun 2006
Location: Germany
Brand: Nat, Piston, Rotary
Posts: 3,771
![]() ![]() ![]() ![]() | Re: Can I sound like Miles on a strad? The question is a non-issue. If you have the talent, creativity and background, then you could in theory play like Miles, but you wouldn't want to, because that stuff has already been discovered. If you are missing any of the above, you will not be able to sound like Miles regardless of what you do! |
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__________________ Whenever I feel blue, I start breathing again. | |
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| | #10 (permalink) |
| Pianissimo User
Join Date: Oct 2007
Location: Montreal Qc Canada
Brand: Celebration by Flip Oakes
Posts: 120
| Re: Can I sound like Miles on a strad? I'm sure the reference to coke and heroin was just sarcasm. Drugs do nothing , they just sickin the soul! It is by searching deep within and being inspired by what surrounds us that helps us to be creative and sensitive.Music does make the world go around! |
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__________________ Celebration Bflat by Flip Oakes Early Yamaha Flugel prototype(Guido Basso) GR and Stork mouthpieces | |
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