Bb Trumpets: Yamaha YTR-6335HSII - Flip Oakes "Wild Thing" - 1972 Getzen Eterna "Severinsen" - 1980 Boosey & Hawkes Sovereign Studio - B&S 3005 WTR-L - 1963 Besson 10-10 - Monke Mystery Horn - Spiri Vario
C Trumpet: Inderbinen Alpha 200
Bb Bass: 1961 Holton #58 "Symphony"
Wyrd oft nereš unfågne eorl, žonne his ellen dėah.
"Pypes, trompes, nakers, clariounes, that in bataille blowen blody sounes"
The way I understand it (correctly or otherwise) is that a dent, regardless of size, can interrupt the standing wave or part thereof and cause distortion of the sound to a degree depending upon where it is in relation to whichever frequency is being played. For example, a small dent in the bell might not affect the sound whatsoever for one note but might interfere with another. Following this line of thought, a small dent in the wrong place could cause more of a problem than a large dent in an area that doesn't affect the standing wave as much, if at all. Whether one can hear the difference between dented and dent-free is open to debate and probably depends upon the magnitude of the distortion, and identifying and understanding precisely where these points are on the tubing, etc. is beyond me. In any event, I keep my horns dent-free in order to know that any undesired sound is me, not the horn, and can adjust accordingly.
Olds Studio trumpet
Olds Special trumpet
Yamaha YFH-731 flugelhorn
Dillon Bb pocket trumpet
Selmer Bundy tenor trombone
Casio CTK-518 keyboard
"If it was just up to me, I'd have nothing but trumpet players on my show." - Jackie Gleason
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