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| New Friend Join Date: Mar 2007
Posts: 43
![]() | Embouchure Change After one more big jazz festival on Friday and Saturday I won't have any gigs for a while. I've never had the range, flexibility, or endurance that I want to have, and I know this is largely in part because of a faulty embouchure. I am too dependent on my bottom lip, which has little or no curl in when I play. I realize that I use too much pressure on my bottom lip. In saying this, I want to change my embouchure (could be complete overhaul or whatever necessary). Does anybody have any suggestions of proper lip placement for better range and endurace, tips on how to make an embochure change (how to experiment to find something that works), or anything else that would help me out. I do have a teacher that I know will guide me the right way but I also want to hear from people on here about their experiences and suggestions. Any help would be appreciated. |
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| Moderator Fortissimo User Join Date: Jun 2006 Location: Germany
Posts: 4,374
![]() ![]() ![]() ![]() ![]() ![]() ![]() | Re: Embouchure Change To be honest, I generally do not discuss embouchure changes with my students. They get exercizes to correct whatever may be wrong as I don't want them intellectualising the process. Any overhaul of your playing should involve body use, breathing and at the end the mechanics in that order (I call this "the basics"). Playing with pressure means that the work has not been divided correctly between those 3 factors. Anything that you do wrong has to be compensated for somewhere else. Yoga or martial arts are very good to get in touch with your body. Swimming is good for breathing and timing. The mechanics are dependent on your present state - and that is not diagnosable over the internet.
__________________ Whenever I feel blue, I start breathing again. |
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| Mezzo Piano User | Re: Embouchure Change Joe, I did the same thing a few years back, but before I started the change I gathered and studied as much information as I could concerning embouchures. In the long run it was crucial to the changes I made. I couldn't honestly suggest one or the other to you because we are all different. I wish you luck and hope everything turns out well concerning your changes.
__________________ Mike Eclipse MHY Bell 1949 Olds Ambassador Listening has nothing to do with moving your mouth! |
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| Forte User | Re: Embouchure Change The best thing you could do is find a teacher who is an expert on embochure mechanics. Having someone in person to guide you along is huge here. Speaking of huge, embochure changes are HUGE DEALS. I have been there, myself. I went from a far right, very low embochure to a centered(esque) farkas. I was an extreme case of bizarre embochure needing sorting out. I went through an embochure change my Freshman year of college, two years ago New Year's Day. The first thing I played was the trumpet riff on that old show "Highway to Heaven." It was like starting over on the trumpet. I was horrified. It took me roughly six months to get stuff in decent order for playing. It took about a year and a half to get to where I was before the change, and even now I am about a year behind where I should be (God help me, it still feels like I'm rolling a boulder uphill sometimes). Still, the progress and improvement in playing and sound is astounding. I can do a lot more than what I used to; I can play higher, longer, just better. I can get as bright as a G bugle, and as broad and vibrant as a C.... I love the bugle sound, personally. Joe, this is a huge thing. Everything changes. Maybe a little or maybe a lot, but everything changes. How you tongue a note, how you control the note, how you hit the note, air flow, everything. You better be ready to put at least six months into the woodshed, bare minimum. And be prepared to suck. A lot. Van
__________________ Stage 1 California Light '94 Bach Strad 37 1900 Eb Cornet LOUD Steve Patrick 10 1/2 C LOUD LM93 |
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| Pianissimo User | Re: Embouchure Change The begining of December I reluctantly began to change my embouchue. I played with maybe 5-10% of my bottom lip the rest was top. I didnt really have range or endurance issues, in fact I felt that I played well but my teacher convinced me that I would never make it professionally unless I changed. All I can add is that I did it and it has worked so far. I am still not 100% used to the new set but the horror stories I had heard didnt happen. Just take a bunch of embouchure studies and a goos teacher to guide you and all should be well. P.S. I believe it helped my playing significantly. JR
__________________ Yamaha "Chicago" C Yamaha "New York" Bb Blessing Eb/D Yamaha 6810S Picc Bach 2C Joshua C. Ritchie http://www.joshuacritchie.com |
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