favorite warm-up

eisprl · 01-28-2005, 11:45 AM

What is your favorite warm-up?

Mine is in the Arturo Sandoval Book with the pedals. (Awesome)

Eric

Heavens2kadonka · 01-28-2005, 12:46 PM

I am really getting to where I lip buzz the majority of my warm up. I just feel like I get a *MUCH* better product if I lip buzz before I start.

Long tones, from as soft as you can do comfortably, to as loud as you can do comfortably. Work to make your louds and softs more and more efficient. Then I do Clarke Study 1, except I hold the starting note for three beats, before I begin the exercise. I like to think of my air collumn like:

------|\
>
------|/

That (Tried to make an arrow), with all the notes that I need to hit being inside the collumn. My goal right now is to be able to play a high C with what feels to me, and sounds to my audience as an equal amount of pressure as a second-line G. After that, I will begin sliding my range toward the low C, then start working for the pedals..

Anonymous · 01-28-2005, 03:46 PM

I like playing out of the Mike Sachs book.

Schwab · 01-28-2005, 04:21 PM

Bill Adam routine; Buzzing the leadpipe, expanding longtones, expanding chromatics, Glantz tonguing.

Anonymous · 01-28-2005, 04:23 PM

A little bit of that as well

Quote:

Originally Posted by stcman

Bill Adam routine; Buzzing the leadpipe, expanding longtones, expanding chromatics, Glantz tonguing.

eoliver · 01-28-2005, 07:27 PM

James Stamp method. Usually skip the mp buzzing and go straight to the horn.

As an addition to this question:

Do you warm up on your C or your Bb?

I warm-up on my Bb and my 1-1/2C, even if I'll be playing my C, or only doing lead work all day. Mainly because I know exactly how I'll feel after that. What's you all's take?

jpkaminga · 01-28-2005, 08:37 PM

I do exercises from the Balanced Embouchure book which include practicing playing double pedals in tune, then longtones, then a chromatic scale as fast and high as I can, then slur exercises from the BE book

dbacon · 01-28-2005, 09:08 PM

Allen Vizzutti's Book 1. You can do a ten min, 20 min routine that's very inclusive.

Or an hour, whatever you want.

R.A.S. · 01-29-2005, 09:42 AM

I like to vary my warmup from day to day, depending on what's on and how I feel. Here are five that I do:

1. Keith Johnson's book "Progressive Studies for the High Register"
Preliminary Exercises & Exercise 3 (Exercise 5 if needed)

2. The warmup in Bud Brisbois/Lennie Niehaus "Trumpet Today" (extend
beyond E if needed)

3. Caruso Exercises 1-5, 7, 9, 11, 14, 17

4. George and Arnie's Range Builder (quick and powerful)

5. Maggio Warmup A and Exercise 1

dizforprez · 01-29-2005, 01:59 PM

-Buzzing. I have a few patterns I use, the main goal is to devlop my range in both directions. I will often use akeyboard, holding out the tonic pitch and buzz what ever pattern i am using that day(or week).

-Lip bends and Flow studies , from the Sachs book page 37 or the V. C. Flow studies book.

01-28-2005, 11:45 AM	#1 (permalink)
eisprl Mezzo Piano User Join Date: Sep 2004 Location: Halifax, NS CANADA Posts: 505	favorite warm-up What is your favorite warm-up? Mine is in the Arturo Sandoval Book with the pedals. (Awesome) Eric
	__________________ Eric Sproul Practice is like filling a leaky bucket Bb: Yamaha Xeno 8335 C: Bach Stadivarious 239L and 25A leadpipe (Owned by Eric Sholtz) Flugel: Yamaha Bobby Shew 6310Z Mouthpieces: GR tech www.stadband.ca

01-28-2005, 12:46 PM	#2 (permalink)
Heavens2kadonka Forte User Join Date: Jun 2004 Location: Carthage, TN Posts: 1,284	I am really getting to where I lip buzz the majority of my warm up. I just feel like I get a MUCH better product if I lip buzz before I start. Long tones, from as soft as you can do comfortably, to as loud as you can do comfortably. Work to make your louds and softs more and more efficient. Then I do Clarke Study 1, except I hold the starting note for three beats, before I begin the exercise. I like to think of my air collumn like: ------\|\ > ------\|/ That (Tried to make an arrow), with all the notes that I need to hit being inside the collumn. My goal right now is to be able to play a high C with what feels to me, and sounds to my audience as an equal amount of pressure as a second-line G. After that, I will begin sliding my range toward the low C, then start working for the pedals..
	__________________ Stage 1 California Light '94 Bach Strad 37 1900 Eb Cornet LOUD Steve Patrick 10 1/2 C LOUD LM93

01-28-2005, 04:21 PM	#4 (permalink)
Schwab Moderator Mezzo Forte User Join Date: Feb 2004 Location: the road Posts: 852	Bill Adam routine; Buzzing the leadpipe, expanding longtones, expanding chromatics, Glantz tonguing.
	__________________ Dylan Schwab Stage 1 New York

01-28-2005, 07:27 PM	#6 (permalink)
eoliver Pianissimo User Join Date: Nov 2004 Location: Albuquerque, NM Posts: 70	James Stamp method. Usually skip the mp buzzing and go straight to the horn. As an addition to this question: Do you warm up on your C or your Bb? I warm-up on my Bb and my 1-1/2C, even if I'll be playing my C, or only doing lead work all day. Mainly because I know exactly how I'll feel after that. What's you all's take?
	__________________ Eric Oliver www.trumpetwitheric.com

01-28-2005, 08:37 PM	#7 (permalink)
jpkaminga Pianissimo User Join Date: Jul 2004 Location: Boston Posts: 121	I do exercises from the Balanced Embouchure book which include practicing playing double pedals in tune, then longtones, then a chromatic scale as fast and high as I can, then slur exercises from the BE book
	__________________ perhaps truth is a woman who has reasons for not letting us see her reasons-Nietzsche

01-28-2005, 03:46 PM	#3 (permalink)
Anonymous Forte User Join Date: Oct 2003 Posts: 1,127	I like playing out of the Mike Sachs book.

01-28-2005, 09:08 PM	#8 (permalink)
dbacon Mezzo Piano User Join Date: Oct 2003 Location: Scottsdale, AZ. Posts: 579	Allen Vizzutti's Book 1. You can do a ten min, 20 min routine that's very inclusive. Or an hour, whatever you want.
	__________________ Dave Bacon

01-29-2005, 09:42 AM	#9 (permalink)
R.A.S. Pianissimo User Join Date: Oct 2004 Location: Woodbury, Minnesota Brand: Callet Posts: 120	I like to vary my warmup from day to day, depending on what's on and how I feel. Here are five that I do: 1. Keith Johnson's book "Progressive Studies for the High Register" Preliminary Exercises & Exercise 3 (Exercise 5 if needed) 2. The warmup in Bud Brisbois/Lennie Niehaus "Trumpet Today" (extend beyond E if needed) 3. Caruso Exercises 1-5, 7, 9, 11, 14, 17 4. George and Arnie's Range Builder (quick and powerful) 5. Maggio Warmup A and Exercise 1

01-29-2005, 01:59 PM	#10 (permalink)
dizforprez Forte User Join Date: Nov 2003 Posts: 1,028	-Buzzing. I have a few patterns I use, the main goal is to devlop my range in both directions. I will often use akeyboard, holding out the tonic pitch and buzz what ever pattern i am using that day(or week). -Lip bends and Flow studies , from the Sachs book page 37 or the V. C. Flow studies book.

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