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| Mezzo Forte User Join Date: Feb 2004 Location: Chicago northern suburbs
Posts: 845
![]() ![]() | Out of sheer curiosity... Well, my students are busy working on the CASTLE (Capacitor Aided System for Teaching and Learning Electricity) labs, so I'm sitting here for a couple of minutes, and this query popped into my my head. Is anyone here, besides me, using Asymetric Mouthpieces by John Lynch? Frankly, I'm just flat out curious! Thanks! Nick
__________________ ![]() NickD "Live Webcam Lessons Now Available with NickD" http://www.nickdrozdoff.com http://www.newyorktrumpetcompany.com http://www.myspace.com/nickdrozdoff |
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| Pianissimo User Join Date: Aug 2004 Location: Santa Cruz, CA
Posts: 202
![]() | Nick, I own a full set and gave them a thorough trial a few years ago, using them exclusively for three or four months. While I didn't gain much in the way of range, my endurance improved. However, I ended up switching back to boring old "radially symmetric" mouthpieces. I think there's too much difference between the Lead and 3C+544 models. The Lead model offers the "brutal" tone quality as advertised, but the 3C+544 is not really equivalent to a Bach 3C, tonewise -- it's quite dark. I wanted something between the two, with the bottom rim shape of the Lead model which I much prefer. The lack of cornet and flugelhorn models is a downside, though one that can be overcome by having Asymmetric tops threaded for Warburton backbores. I didn't want to spend the bucks for that though, because the lineup is too limited. If John Lynch offered four cup depths with the Lead rim in a standard-weight blank, as well as deep cornet and flugelhorn models, I'd probably switch back.
__________________ John N. Nieuwguyski |
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