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| New Friend Join Date: Jan 2007 Location: Somewhere in Ohio
Posts: 35
![]() | I just gotten braces on about 4 months ago. I am surviving with them so far! Or am I? I have improved in my sight reading and such, but the problem for higher register is pressure! I have too much pressure on my upper lip and I am almost going to burst in frustration! I am working through it all, practicing each day, but I can not figure out how to relieve the pressure. It could be that I am pressing back to hard with the mouthpiece or I am creating to much pressure when leading up to the higher register. It is painful just to hit a high B, the first one above the staff! In other words pathetically low because of the pressure. My tone is not affected, but actually sounds better then before, but the pressure is still killing me. Any tips or suggestions to help me get around my problem? |
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| | #2 (permalink) |
| Forte User Join Date: Jun 2006
Posts: 1,366
![]() ![]() | Re: The Pressure! A b above the staff is ok. Did you get a chance to read your private messages? I think you can progress over the summer if you work the Earl Irons book. Try the teflon tape method over the short term. Your lips should glide over the teflon tape. This summer try to work the Irons book 3 or 4 times a day with some hours in between. Slow and steady. Don't work ahead until you make real progress. Thousands of students have been through what you are doing. You can work it out. I see you are in Ohio. Look up James Olcott in Bowling Green. Get a lesson from him. There are plenty of good teachers in Ohio to help you.
__________________ "I was performing professionally at age 17 and have never had a real job." Allen Vizzutti http://cdbaby.com/cd/mcking Last edited by stchasking; 05-23-2007 at 10:04 PM. |
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| | #3 (permalink) |
| Moderator Fortissimo User Join Date: Jun 2006 Location: Germany
Posts: 4,367
![]() ![]() ![]() ![]() ![]() ![]() ![]() | Re: The Pressure! Barato, excellent advice from STCHASKING! There are many factors that create a NEED for pressure, the most common one that I have seen is a large or deep mouthpiece WITHOUT the corresponding breath control and embouchure strength! This is NOT a recommendation to switch mouthpieces, it is only an explanation of a very common combination that causes problems! The Irons book is also the one that I personally use. I would also recommend buzzing the exercises as cleanly as possible on the mouthpiece first and then playing them on the horn. This tends to strengthen the "corner" muscles adding strength to the embouchure. Rest between every single exercise. If you notice tension in the throat area, take a sip of tap water before playing - that seems to relax me. There is no overnight solution. Diligence and a methodical system will get you to where you want to be.
__________________ Whenever I feel blue, I start breathing again. Last edited by rowuk; 05-24-2007 at 04:10 AM. |
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| | #4 (permalink) |
| New Friend Join Date: Jan 2007 Location: Somewhere in Ohio
Posts: 35
![]() | Re: The Pressure! I have been working with the Schlossberg method and that is about it, for my trumpet director (the one I am getting lessons from) said that should be good enough. In case your wondering my trumpet director may not be a big famous trumpet player (name is Tony Esposito) but he is one of the best in my area. I like your advice and I will try to get the Iron book when I buy the Arbans book I always wanted. I am still a high school student so I will have to talk my parents into driving over to Bowling Green (i am in northeast Ohio) and paying for a lesson or me paying for the lesson. Once again thanks for the advice and thanks for posting. Happy Playing |
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| | #5 (permalink) |
| Pianissimo User Join Date: Nov 2004 Location: Des Moines, IA
Posts: 213
![]() | Re: The Pressure! How braces affect the trumpet player is different for each player. Sometimes a different rim size or shape will place the pressure point in a more friendly area. Covering the sharp edges of the braces can help, either with teflon plumber's tape or the Morgan Bumpers. https://www.morganbumper.com/index1.html The one thing that practically all players with braces have in common is that their mental focus changes from the sound to the feel. I would concentrate on playing lots of lyrical etudes in the middle range such as Getchell and Concone. Placing the bell under about a half inch of water while playing long tones can help make you aware of steady, relaxed breath. |
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