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| Pianissimo User | Rough practice I have been practicing ALOT lately. Finally found my motivation I guess. But I have begun to notice that every time I have a rough day, the next day feels exceptionally good. Does anyone else observe this in their own practice life? Is there a correlation between the amount I am working in order to produce the best trumpet playing I canon a bad day and the ease of playing the next day? I hate those bad days, but man the good ones sure are great! JR
__________________ Yamaha "Chicago" C Yamaha "New York" Bb Blessing Eb/D Yamaha 6810S Picc Bach 2C Joshua C. Ritchie http://www.joshuacritchie.com |
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| | #2 (permalink) |
| Piano User Join Date: Aug 2007 Location: Bostonish
Posts: 374
![]() | Re: Rough practice Maybe thinking about what was going wrong helps us? I don't know, but I definitely have the same thing happen to me
__________________ Bach 180S-37 Bach C180-239 w/ Akwright tuning bell conversion Monette B2S3&C2S3, Bach 7DW |
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| | #3 (permalink) |
| Moderator Fortissimo User Join Date: Mar 2006 Location: Home
Posts: 3,265
![]() ![]() ![]() | Re: Rough practice Assuming routines and such, and consistent practice, I would suspect that rather than a physical thing, you are experiencing a mental thing on your good days. For me, a good part of the mental thing is attitude, and I love the aviation definition--the "direction we lean." I have not found the secret to turning every day into a "good day," but I know every day can be one! Have a good day!
__________________ "A tool good enough to be so used and not too good" C.S. Lewis That Hideous Strength www.letsbuildhope.org |
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| | #4 (permalink) |
| Pianissimo User Join Date: Apr 2008 Location: Deep in the heart of TX
Posts: 126
![]() | Re: Rough practice I always experienced a corollary issue - with lessons: when I prepared the hardest & had practiced the most - my teacher was least happy with my playing - the next week I'd come back in - hardly practiced and with a "who cares" attitude - I'd get nothing about praise about how well I was playing.....
__________________ Kanstul 1525 Flugel Yamaha Bobby Shew 6310Z Flugel 1967 Getzen Eterna (my 2nd - still going strong after all these years) 1961 Olds Ambassador (my 1st...battered, bruised, & passed around but back home) |
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| | #5 (permalink) | |
| Pianissimo User Join Date: May 2007 Location: Cleveland, OH
Posts: 222
![]() | Re: Rough practice Quote:
.....Funny, thats how i got through college too.....
__________________ Mark Russo ZeuS ZTR 1000 Monette STC-1 Prana B4-S6, B4FL, B4L-S1 www.myspace.com/markrussojazz | |
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| | #6 (permalink) |
| Pianissimo User Join Date: Jan 2008 Location: Staffordshire
Posts: 154
![]() | Re: Rough practice I get a bit like this sometimes after daily heavy blows in band, and i find after one day off or a light blow, i have chops of steel. For me, i am conscious of the fact that i have too much tension in my neck and too much MPC pressure after long periods of playing. I think a consistant warm up and warm down routines would help. Also ensure that you rest as much as you play (20mins then have a coffee etc.), but i think more than anything don't practise until you have a swollen lip and feel tense. I have the urge to do this sometimes. I could practise 2-3 hours solid and end up with sore chops,tense and achieving relatively little. For me i think it is a good aim to have chops feeling refreshed and worked at the end of a practise session rather than knackered and abused. Abusing chops with heavy practise will undoubtedly make you more inconsistent. I always had the temptation to practise blowing the guts out of high note passages, and once again all i achieved was tension and a sore lip after 15mins. Personally, i find pp practise on high note passages is superb. It saves the chops and i also find it reduces tension, and improves accuracy when i go to play it at the written volume. |
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| | #7 (permalink) |
| Pianissimo User Join Date: Feb 2006 Location: Norway
Posts: 157
![]() | Re: Rough practice I guess this depends on which level you are. I've certainly experienced this in the past. Not so much now. I remember practicing long and hard every day in when I was in the military, never getting anywere until I started taking a day off after days I've been practicing really hard. The rest I got really did me good and my improvement improved so to speak. Of course back then I really didn't have a good practice routine. A well thought out routine is going to help you with concistency on a day to day basis.
__________________ Stage 1 New York Bb trumpet Stage 1 Classic flugelhorn GR mouthpieces |
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| | #8 (permalink) |
| Piano User Join Date: Mar 2007 Location: Ithaca NY
Posts: 472
![]() ![]() | Re: Rough practice I 'm with Vulgano on this. It is mental. And just a few minutes of the right kind of practice accomplishes much more than hours of the wrong kind. There's a book by pianist Kenny Werner, Effortless Mastery, which is well worth reading and which applies directly to what you are experiencing. It's a fantastic read.
__________________ Music = Love |
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| | #9 (permalink) | |
| Pianissimo User Join Date: Sep 2005 Location: Norway
Posts: 84
![]() | Re: Rough practice Quote:
veery715, perhaps you could tell me what was fantastic with it? Ole | |
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| | #10 (permalink) |
| New Friend Join Date: Apr 2008
Posts: 31
![]() | Re: Rough practice I think days off help. I never agreed with that quote from some famous trumpet teacher, was it Clarke?, I don't remember, but it went along the lines of how you couldn't afford to miss a day's practice because it would set you back. Our chops are muscles and need time to rebuild. |
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