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Old 06-27-2005, 06:10 PM   #1 (permalink)
butxifxnot
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This seems better place to put it. Embouchure, everyone.

This is more about the embouchure than the mouthpiece itself, anyway. I'm going to stick the topic here, as well, to get the input.
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Originally Posted by butxifxnot
Hello. My names Peter, I play trumpet, and I'm probably better than you. Just kidding. I do have some questions for y'all fellow trumpet players, and my first question is about mouthpiece exercises.

I just got a BERP. It's wonderful. However, about mouthpiece exercises: I've got a little predicament. A few years ago, I had the thing where my embouchure was very much off its center. I started over. Now everything's good, save a little air-support problem, but I can deal with that. With that, I came up with a method for playing the high parts that are delt to me, now with decent endurance. However, while my range is good up and down, my problem is with transitioning between the high and low register of my embouchure. I watch myself in the mirror and feel what's going on and I can see that I cannot go from my low to my high. I can go from my low to a strained high, not at all beautiful, and I can go (better, in comparison) from my high to very nearly my low. How can I fix this? What kind of exercises (specific) can I do to help it along? (If sirens, howso?) Feedback much appreciated. :)
Also willing to open up the topic to discussion on the embouchure and the pros/cons of using low and high embouchures and how to diminish the cons.
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Old 06-28-2005, 03:59 AM   #2 (permalink)
rikrdo
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Go to www.Bbtrumpet.com
Pops has a LOT of great advice including where to set your embouchure to start your playing.
He says to set your chops to play a G above the staff...1 line above...
that way you are only an octave below dubba G and you only have to go down 1 octave to play in the staff.
He really does a MUCH better job of describing this.
Check it out. I hope it helps.
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