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| | #1 (permalink) |
| New Friend
Join Date: Dec 2005
Posts: 7
| Single Tonguing Hi Manny. I want to ask you something with regards to tonguing. I read somewhere that one should work on his single tonguing as much as possible and not only on double and triple tonguing because you should only use double and triple tonguing when you can't single tongue that fast. In other words, double and triple tonguing should only be used more like a "last resort". Do you agree with that statement? And also, can one double tongue so good that it sounds just like single tonguing?(Can the "ka" sound just like the "ta"?) Thanks |
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__________________ "Be yourself because the ones who mind don't matter and the ones who matter don't mind." - BB | |
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| | #2 (permalink) |
| New Friend
Join Date: Dec 2005
Posts: 7
| I guess another way of putting my question is do you ever use double tounguing when you could actually be using single tonguing or do you only start double tonguing when you can no longer keep up with just single tonguing? |
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__________________ "Be yourself because the ones who mind don't matter and the ones who matter don't mind." - BB | |
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| | #3 (permalink) |
| Utimate User
Join Date: Sep 2004
Location: USA
Posts: 5,989
| Yes, I think a trumpeter should never be caught in the "cracks" where something is too fast to single and too slow to double/triple. You have to develop a variety of double tongues; at least two. One is legato and the other a blunt, thuddy style to sound like a short single. ML |
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| | #4 (permalink) | |
| Pianissimo User | Quote:
Ravel's Piano Concerto in G = GAH! | |
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__________________ "Take care of your fundamentals and your fundamentals will take care of you" "Don't practice for 'something', practice 'everything' and you'll be ready for ANYTHING" Bb-Bach Strad 43 C- Bach Strad 229 25H Picc - Schilke P54 Gold Plated | ||
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