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| | #1 (permalink) |
| Mezzo Piano User | Thought on equipment.... Hello all I had a Foothills Brass clinic last week and we got on the topic of moutpieces. They were explaining how they thought the whole structure of moutpiece : tone ratio seems to be changing. (They also seem to think that Jens also adopts this attitude). The outlook they had is instead of using a big mp and to work on the high range, they use smaller mp's (not rediculously small) and work on their lower register. Now me being a smaller mp player, I tended to agree with them. Plus I just bought a GR "Chase Sanborn" 66MS that I am extreamily happy with in ALL registers (Having just popped off a double 'C' 10 min ago What say? Other than just musical tones for different Genres, what would you say? Large mp while working on high range? or Small mp and working on low range. I guess it's more of a poll than an outright opinion. Cheers Eric ps - their website is really cool and loaded with great practice tips and routines!! I read stuff there that I needed to hear and have never been told. http://www.foothillsbrass.ab.ca/ peace |
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__________________ Eric Sproul Practice is like filling a leaky bucket Bb: Yamaha Xeno 8335 C: Bach Stadivarious 239L and 25A leadpipe (Owned by Eric Sholtz) Flugel: Yamaha Bobby Shew 6310Z Mouthpieces: GR tech www.stadband.ca | |
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| | #2 (permalink) |
| New Friend
Join Date: Dec 2005
Location: Illinois
Posts: 21
| I use a relatively large mp (bach 1b) and work on my high range. I usually play quintet and large ensemble gigs (not much jazz) and like the dark, fat sound I get. I have heard that switching to a monette mp would increase the dark nature of my sound. Any thoughts or experience with this? frank |
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__________________ "This is Frank's world and we are just lucky enough to live in it." Bach Strad 43 ML Bach 1B | |
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| | #3 (permalink) |
| Pianissimo User
Join Date: Nov 2003
Location: Bloomington
Posts: 69
| This is one of my great frustrations with trumpet players. Things immediately go to the extremes. Instead of: 1) Getting a mouthpiece that sounds good low and practice high or 2) Getting a mouthpiece that sounds good high and practice low please consider 3) Finding a mouthpiece that sounds good and practice! I don't want to sound like a broken record (for those of you who still understand that reference), but range is just one aspect of trumpet playing that, like others, can be practiced and improved. Range is one thing, the whole range of the horn, not three things-low, middle, and high. As a trumpet player, you should be looking for a full clear sound over the whole range of the instrument. I'm all for using the right tool for the job, but once you start using equipment that has a specific purpose (i.e. easier high notes), you're probably also compromising other aspects of your playing (i.e. sound, flexibility, articulation). Think about the big picture that is your trumpet playing as a whole. Joey |
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| | #4 (permalink) | |
| Moderator Fortissimo User
Join Date: May 2005
Location: Metro Detroit
Brand: Eclipse
Posts: 3,748
| Joey wrote: Quote:
Practice and don't look for shortcuts. In the 4th set of the night, if someone requests Bunny Berigan's "I Can't Get Started", I have to be able to play the low F#'s in the opening cadenza, AND the high F's in the key change to Db at the end of the chart. Ya can't switch mouthpieces in the middle of the tune. Find one that works for you and practice, practice, practice. BTW--I use a GR custom mouthpiece which is very close to the Jet Tone Bill Chase I played for 20+ years. -cw- | |
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__________________ Chuck Willard The Willard of Oz "Don't be afraid to see what you see." Ronald Reagan | ||
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| | #5 (permalink) |
| Utimate User
Join Date: Sep 2004
Location: USA
Posts: 5,989
| That's why I approach playing from the bottom-up, Chuck.The lower register is where we're most relaxed (theoretically) and open. I like to maintain that approach on the way up the register. So, yeah, I think low to high rather than the other way. However, that's not to say that a beginner should play a huge mouthpiece at first. Comfort is important with an appropriate challenge level nherent to the equipment. It needs to be comfy enough to help produce a good sound but with room to grow into endurance and high register. ML |
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| | #6 (permalink) | |
| Mezzo Piano User | Quote:
Tu-chez Joey, tu chez. Although please keep in mind I (if you were referring to me) am in no way looking for short cuts and neither are the foothills brass. They are a professional group which are almost at Canadian Brass quality. The high notes I can play came with years of practice and looong hours in the practice room and rehearsals. Sure, I have only been playing for 12 years, but in that time I have used many a mouthpiece, large and small. All I was asking was what people thought on the matter. Please don't get me wrong. I do think of trumpet playing as a whole. Thanks for the posts, keep em' coming. I am very interested in learning what you have to say. Eric | |
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__________________ Eric Sproul Practice is like filling a leaky bucket Bb: Yamaha Xeno 8335 C: Bach Stadivarious 239L and 25A leadpipe (Owned by Eric Sholtz) Flugel: Yamaha Bobby Shew 6310Z Mouthpieces: GR tech www.stadband.ca | ||
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