Richard Steffen-Austin Peay
Richard Steffen-Austin Peay
"Music is a fire in your belly that has to come out of your mouth, so you'd better put a horn in the way before someone gets hurt"
1949/50 Super Recording
1949 Martin Committee
1947 Olds Super
Olds Super/Ultrasonic trumpet
Olds Recording trumpet
Eclipse MR scratch gold
Buescher Mdl 15 Cornet in Bb/C/A (Dad's old horn)
Boston 3 Star Ne Plus Ultra
Natural trumpet hand made by my friend Howard Scudder
I will put some more europeans...
Rod Franks - great teacher, great and pleasant personality...just a bit difficult to get him to teach
James Watson - RAM
Gabor Tarkovi: Berlin. If you want to go orchestral He is the man!
Anthony Plogg:Freiburg im Breisgau
Reinhold Friedrich: Karlsruhe
Roman Rindeberger (Mnozil Brass) - he is the funniest trumpet teacher I have ever seen. Quite fun to learn trumpet with. However, prepare to sing and box if you are going to get lessons from him
Robert Rotter (another Mnozil member) - another funny teacher, though not as crazy during lessons as Roman
Erich Rinner: Innsbruck
Jean-Francois MICHEL: Fribourg & Geneva
Claude Rippas: Zurich
Any living teachers to mention for french people from Paris ? since Pierre Thibaud is dead from 2004...
Charlie Porter via Skype in Oregon is truly a good teacher personable and takes his time explanating things about good emboucher.Anthony
In Paris: Guy Touvron. Ibrahim Maalouf. Many more...
In Lyon: Pierre Dutot, Bernard Soustrot.
Selmer Radial, Bb.
Yamaha YTR4420E, C.
1930 Couesnon cornet
A mind that masters the breath
Creates strength (Lao-Tzu).
How about in London or better still in Cambridge / Norwich? Please.... :)
- Customised Schilke B6 Trumpet.
- Monette BL4 S6
- Doc Severinsen.
- Maurice Andre.
- Wynton Marsalis.
- Jon Faddis.
Maybe it's just me, but equipment is maybe 10% (if that) of your sound - and any musician should be able to make even the "worst" equipment (e.g., student Bundy) sound great.
Edit: for the record - I'm not bashing a student Bundy horn - which is why the word "worst" is in quotes.
Yes, a competent musician can make any horn sound good, but some horns are a lot more work than others. It is a point of interest only.
1954 Olds Super w/Bach 43 uptilt bell Frankenhorn
1968 Olds Recording Trumpet
1965 Bach Stradivarius Model 37
Yamaha Xeno Chicago Artist C Trumpet
1956 Conn 80A Cornet
1951 Olds Special Cornet
1965 Olds L-12 Flugelhorn
"Hindsight is always 20-20"
"I'd rather have it and not need it than need it and not have it"
For myself (and I'm sure most of the folks on this forum), I have way less interest in what I play, and way more interest in how I play, which is always "I could do better."
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