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| | #1 (permalink) |
| New Friend
Join Date: Feb 2005
Posts: 25
| Upper vs. Lower lip. I'm curious to see if more "lead" players use more upper or lower lip in their set-up? I've seen a lot of lead guys use more upper lip and I just ran across this picture of seneca black http://www.monette.net/newsite/onlin...bc2000_044.jpg It also seems more "legit" players use more lower....Can you think of a reason for this? |
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__________________ Monette 149XL Bb Yamaha 9830 Piccolo Monette Prana B1-5 Monette Prana AP5 | |
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| | #3 (permalink) |
| Mezzo Forte User | I second STCMAN. The only viable reason I can see for the usage of more upper lip in high register playing is that it can aid in the compression of the air by focusing it into the bottom cup of the mouthpiece causing it to spin faster as it goes through the throat.... More lower for classical, dunno... maybe warm up the tone somehow? Just my two cents, can I get change? |
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| | #4 (permalink) |
| Forte User | When I played with a *MUCH* lower lip setting, I had an easier time playing high than low. My instructor told me that it was because of the thinest bit of upper lip flapping faster than the lower. I have found out I like having my mouthpiece anchored on the highest part of my upper lip, not going onto the flesh. It really feels comfortable, and everything playing-wise feels (and sounds) better. Van |
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__________________ Stage 1 California Light '94 Bach Strad 37 1900 Eb Cornet LOUD Steve Patrick 10 1/2 C LOUD LM93 | |
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| | #6 (permalink) |
| Moderator Mezzo Forte User
Join Date: Feb 2004
Location: the road
Posts: 932
| Don't go making changes in your embochure without seeking LOTS of opinions (of people who actually see you play, not just boards like this). If you're getting a good sound, it doesn't matter what it looks like. |
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__________________ Dylan Schwab Stage 1 New York | |
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| | #7 (permalink) | |
| Forte User
Join Date: Nov 2003
Posts: 1,028
| Re: Upper vs. Lower lip. Quote:
you should not draw any conclusions based on that picture. | |
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| | #8 (permalink) | |
| Mezzo Forte User | Quote:
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__________________ Michael Smith Hullabaloo: The official band of Texas A&M Basketball Kanstul 1537/ Schilke 14 LA Olds Studio | ||
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| | #9 (permalink) |
| Forte User | Yeah, PLEASE, no one ever go and do something based solely on what I say. I'm not what some people call "smart." I will have to say, after the switch, I am having a much more enjoyable time putting the horn to my face. Van |
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__________________ Stage 1 California Light '94 Bach Strad 37 1900 Eb Cornet LOUD Steve Patrick 10 1/2 C LOUD LM93 | |
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| | #10 (permalink) |
| Pianissimo User
Join Date: Mar 2004
Location: Dallas
Posts: 58
| LOOK at a mouthpiece. Place a ruler dircetly across the center. This is where it is widest. If your lips are 50/50 then you have the widest possible surface area for vibrations. Move either up or down (it doesn't matter) and the amount of vibrating surface is reduced. The only difference in moving up vs down is in possible volume. Since the top lip is the vibrating lip if you pin it down it can't get the amplitude to play loudly. (So when you play lower in the cup more lip CAN move and you can get louder) but as far a range goes it doesn't matter on the whole. It is merely what a given person gets used to. IT can work equally in that regard. BTW LOOKS are extremely decieving in this regard. Many people have one lip bigger than the other. So what may LOOK like more of one lip in the cup than another; is really the 2 lips meeting in the center of the mouthpiece. (We can't see the center from pictures but only with visualizers, cut away pieces, clear pieces etc.) |
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__________________ "30 Minutes A Day to Better Playing", "Book of Embouchure Pictures". Plus my other 8 books at http://www.BbTrumpet.com & http://www.TrumpetCollege.com Pops It is the Smart application of hard work that gets you there. | |
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