Warm Up Etudes

note360 · 10-16-2006, 07:13 PM

Any way. I am working on range and tone (and sight reading) currently and I was wondering if their where any good range or tone improving warmups out their. PDF's or other would be awsome. Thank you in advance.

tpter1 · 10-16-2006, 08:54 PM

Herbert L. Clarke, Technical Studies for Cornet (pub Carl Fisher): 1st study. But not necessarily in order...try beginning with the one that starts on C nat., then up to 2nd line G, then from low B down to low F#. Play them softly, as many times as possibl in one breath. Go for evenness of sound and rhythm, along with fluid connection of slur.

Further back, I think it's the 5th or 6th study, are some nice 2 octave scale studies. Smooth connections, even tone from register to register, and aim at the BOTTOM of the scale. Stay open and full up top. Try articulating it for extra challenge!

Reminds me...I better get cracking on those, too. It's been a while!

note360 · 10-16-2006, 09:05 PM

Cool. I think a teacher of mine gave one of those to me. I have a few others.

"Remington" High Register is good

MahlerBrass · 10-16-2006, 11:24 PM

James Stamp, nuff said =)

Liad Bar-EL · 10-17-2006, 02:19 AM

I like Charlier #2, but to each his own.

Liad

Vulgano Brother · 10-17-2006, 01:55 PM

MahlerBrass said it all!

Stamp.

10-16-2006, 07:13 PM	#1 (permalink)
note360 Pianissimo User Join Date: Oct 2006 Location: In a room in a house Brand: Olds Posts: 219	Warm Up Etudes Any way. I am working on range and tone (and sight reading) currently and I was wondering if their where any good range or tone improving warmups out their. PDF's or other would be awsome. Thank you in advance.

10-16-2006, 08:54 PM	#2 (permalink)
tpter1 Forte User Join Date: Jan 2005 Location: Northern New York Brand: Lawler Posts: 2,309	Herbert L. Clarke, Technical Studies for Cornet (pub Carl Fisher): 1st study. But not necessarily in order...try beginning with the one that starts on C nat., then up to 2nd line G, then from low B down to low F#. Play them softly, as many times as possibl in one breath. Go for evenness of sound and rhythm, along with fluid connection of slur. Further back, I think it's the 5th or 6th study, are some nice 2 octave scale studies. Smooth connections, even tone from register to register, and aim at the BOTTOM of the scale. Stay open and full up top. Try articulating it for extra challenge! Reminds me...I better get cracking on those, too. It's been a while!
	__________________ -Glenn "Roses have thorns; shining waters mud. Clouds and eclipses stain the moon and the sun; and history reeks of the wrongs we have done. After today, after today, consider me gone."- Sting

10-16-2006, 11:24 PM	#4 (permalink)
MahlerBrass Piano User Join Date: Oct 2004 Location: Houston, TX Posts: 371	James Stamp, nuff said =)
	__________________ Music isn't a career, it's a way of life.

10-17-2006, 01:55 PM	#6 (permalink)
Vulgano Brother Moderator Fortissimo User Join Date: Mar 2006 Location: Home Posts: 2,816	MahlerBrass said it all! Stamp.
	__________________ "A tool good enough to be so used and not too good" C.S. Lewis That Hideous Strength www.letsbuildhope.org

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10-16-2006, 09:05 PM	#3 (permalink)
note360 Pianissimo User Join Date: Oct 2006 Location: In a room in a house Brand: Olds Posts: 219	Cool. I think a teacher of mine gave one of those to me. I have a few others. "Remington" High Register is good

10-17-2006, 02:19 AM	#5 (permalink)
Liad Bar-EL Forte User Join Date: Oct 2003 Location: Jerusalem, Israel Posts: 1,168	I like Charlier #2, but to each his own. Liad

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