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| | #2 (permalink) |
| Utimate User
Join Date: Sep 2004
Location: USA
Posts: 5,989
| Not morally... But if it bothers you, three Hail Marys and the Act of Contrition should take care of it. No, there's nothing wrong with it. Maurice André played with a dry lip. I saw it for myself. Better yet, I heard it. After concerts he'd apply a liberal application of unsalted butter to his chops. ML |
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| | #4 (permalink) | |
| Mezzo Forte User
Join Date: Feb 2004
Location: Chicago northern suburbs
Posts: 820
| ??????????????????? Quote:
I have heard stories of some trumpeters bathing their lips in vinegar and water to keep them dry and tough. I also have some friends who will slather Carmex or similar salves all over their chops just befroe they play! They play with chops so wet they are glistening. IMHO, do what works for you! Everyone is different! Manny, did Andre really do that? ewwwww! Nick | |
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__________________ ![]() NickD "Free Online Lessons in Extreme Trumpet Playing" http://www.nickdrozdoff.com http://www.newyorktrumpetcompany.com/ http://www.myspace.com/nickdrozdoff | ||
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| | #6 (permalink) |
| Piano User | Manny... sorry to come back to this topic but I have a problem with my playing. When I play long phrases saliva builds up on my lips and inside the mouthpiece and I can't play at all. Do you have any ideas? |
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__________________ ![]() Bach Stradivarius 180/37 Bach 7C "I built my staccato like the piano; low register with the warmth of the cello; lyrical melodies like the violin; running notes like the clarinet" - Maurice André | |
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| | #7 (permalink) |
| Mezzo Forte User | Manny, This butter story sound so french and so Maurice like...I bet he haven't miss to apply some red wine later Nick P.S. I am surpised that there was not a croissant giong with the butter |
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__________________ Spada Bach B flat 72, leadpipe 2L/DWMM1.5C Spada Bach C 2b6, leadpipe 2LQ/DWMM1.5C 1956 Olds Ambassador Cornet Spada Custom Piccolo If you don't know where you are going, you 'll end up someplace else | |
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| | #8 (permalink) |
| Moderator Fortissimo User
Join Date: May 2005
Location: Metro Detroit
Brand: Eclipse
Posts: 3,763
| There was a great trumpet player in Detroit, the late Burt Rosen. He was a fabulous lead player and high note guy. He always carried and used Desitin, the diaper rash medication on his lips to keep them dry. He liked the way it smelled too. Some like wet, some like dry. -cw- |
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__________________ Chuck Willard The Willard of Oz "Don't be afraid to see what you see." Ronald Reagan | |
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| | #9 (permalink) |
| Forte User
Join Date: Aug 2005
Location: Atlanta, GA
Brand: ECLIPSE
Posts: 2,405
| I have been both. I played dry for years and years, always swabbing out the mouthpiece or swiping the rim across my shirt during playing. I liked the "anchored feeling" of playing dry. Any kind of moist feeling on the lips and rim was not a comfortable sensation for me. The problem was, I sweat much more on gigs, recitals, etc. than I do practicing. Also, while playing long phrases, you can't stop and swab out your mouthpiece and of course moisture builds. I began to see this need for a dry embouchure as a hindrance and a distraction. I had also read several times in "The Art of Brass Playing" (Farkas) that SOME moisture was necessary for a well-functioning embouchure. Well, I bit the bullet and began making myself lightly moisten the rim before playing. At first it was an awful "walking off the cliff" kind of feeling and the mouthpiece wanted to move a bit. When I stopped freaking out, I noticed it was moving to where the strongest vibration was located - eureka! Moisture allowed the mouthpiece to stay one with the buzz and simultaneously keep a seal. I have been playing with a lightly moist set-up for about ten years now and haven't looked back. Oh, in response to Chuck's post about that man who used Desitin.... THAT S*** IS NASTY!!! I can't stand the smell of it. LOL. Any person who has changed diapers probably feels the same. LOL. |
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