Originally Posted by ecarroll

TMers,

Trumpetmike started an interesting thread in Manny’s forum recently asking if excerpt lists are really necessary when auditioning for a professional symphony orchestra. The thread below avoids that topic as it’s being well discussed across the hallway. I’d like to focus instead on the upcoming audition in Montreal and talk about what an audition committee may (or may not) be looking for in when listening to an applicant. Trust me when I say that I’ve served on many.

Firstly, let’s understand that there are objective standards against which any candidate can be measured by a committee of peers:
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Best and I’m looking forward to discussing this with you, Who says early January is boring?
EC

Originally Posted by trumpetnick

As we were told already in a thread it is not recommendable to post same post in all resident Artist forums especially when the thread was started by Ed...?