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| | #2 (permalink) |
| Pianissimo User
Join Date: Nov 2004
Location: Blaine, ME
Posts: 63
| Become comfortable with the many different kinds of trills and ornaments you can do. I am working on some Baroque pieces for my recital and my teacher was telling me that Baroque ornaments are like scales for jazz players. If you get that foundation internalized it will give you that much more to draw upon so you are not completely making it up as you go. It gives you a set of tools. |
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| | #3 (permalink) |
| Moderator Fortissimo User
Join Date: Mar 2006
Location: Home
Posts: 2,967
![]() | One thing never to forget is that the baroque style was brand new once upon a time. A key feature of this "newness" was one of perpetual motion and the use of motor rhythms, so rubato is out in regards to the "tactus" or pulse. In between the pulse notes, there is plenty of room for freedom, mainly in articulation. The common practice of spending hours getting our "tahs" and "kahs" to be identical comes from the modern orchestra, so you might want to experiment with articulations like "tah dah tah dah," or "ti ri ti ri" for the faster runs. Cadences are usually approached in a feminine manner, tapering the volume off, rather than slamming into them. Despite the refined style, there are still plenty of opportunities to get the violists in the row in front of you to jump. Have fun! |
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__________________ "A tool good enough to be so used and not too good" C.S. Lewis That Hideous Strength www.letsbuildhope.org | |
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| | #5 (permalink) |
| Forte User
Join Date: Oct 2004
Location: Farnham (a place too smal
Brand: Whatever works
Posts: 1,202
| Listen to the best and see what they do with the music. Crispian Steele-Perkins Ed Tarr Niklus Eklund Crispian's advice in a lesson was to think long for the shorter notes and shorter for the long notes - the long ones will work anyway, the shorter ones should never sound "pecked." |
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| | #6 (permalink) |
| Artitst in Residence ![]() Forte User
Join Date: Nov 2003
Location: Brooklyn,NY
Posts: 2,192
![]() ![]() ![]() | Don't forget Don Smithers. His Abblasen is magnificent..........and played on a Natural trumpet. http://music.barnesandnoble.com/sear...track=1&disc=1 Wilmer |
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__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | |
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| | #7 (permalink) |
| Moderator Fortissimo User
Join Date: Jun 2006
Location: Germany
Brand: Nat, Piston, Rotary
Posts: 3,923
![]() ![]() ![]() ![]() ![]() | Baroque music in the right style? That is like jazz music in the right style(how many thousands of variations?)! You are at the beginning of a long (and exciting) journey. You will learn fastest by imitation and best by study. Ed Tarr and Paul Plunkett have some excellent books on Baroque trumpet playing. Start with a Tarr book with trumpetmikes CD recommendations and you will be on your way! |
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__________________ Whenever I feel blue, I start breathing again. | |
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| | #8 (permalink) | |
| Forte User
Join Date: Oct 2004
Location: Farnham (a place too smal
Brand: Whatever works
Posts: 1,202
| Quote:
With apologies to the purists. | |
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| | #9 (permalink) |
| Artist in Residence ![]() Forte User
Join Date: Jul 2005
Location: NH/CA/PQ
Posts: 1,404
![]() | Jon, Hello from Los Angeles You can find the essence of Baroque style on any instrument, natural or valved. Don't worry about it. I agree with the posters above who recommend lots of listening to recordings (and, if possible, live performances) of early music bands. Your ears will pick up the style but, sadly, not overnight. Be patient and listen, listen, listen. Best, EC |
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