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| | #1 (permalink) |
| Pianissimo User
Join Date: Jun 2004
Posts: 51
| Classic Wynton This is a great CD |
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__________________ Orchestra: Bb: Bach Stradivarius 43* (Gold PLated) C: Bach Stradivarius 229S (H pipe) Pic: Yamaha 9830 Custom Bach Megatone 1-1/4C Jazz: Bb: Conn Vintage One (1BR) Flugel: Kanstul 1525 (Signature) Bach Megatone 1-1/4C Warbuton FL 1 | |
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| | #2 (permalink) | |
| Piano User
Join Date: Nov 2003
Location: Syracuse, NY
Posts: 288
| Quote:
I know that a 7C won't make me play like Wynton, because beginners start on 7Cs and man oh man, they don't sound like him. Maybe someone should tell Wynton to forget about Monette, go get a Strad and a 3C and he'll sound more like himself. | |
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| | #3 (permalink) |
| Forte User | I really liked Wynton's sound on those classical and baroque recordings, specifically on the one entitled "Baroque and Classical Music for Trumpet and Orchestra" Does anyone know what mouthpiece he was using then? |
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__________________ Patrick Gleason email me at: trickg1@hotmail.com "What we do in life echoes in eternity" "At my signal, unleash hell." - Maximus Decimus Meridius | |
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| | #5 (permalink) |
| New Friend
Join Date: Sep 2004
Location: CT
Posts: 3
| I've always wondered why Wynton ditched his 'classical roots' pretty much for good. I know he plays it on the side, including things like the Good Morning News lick for the picc; quite the side job! I attended a masterclass that Wynton headed at Hartt about a year or so ago. Someone raised the question, "Why did you stop playing classical music?" His response was (something to the effect) "It made me uptight and nervous when I played." If I could sound half as good as he does when he's nervous, then I'd surely be better off. I really wish he'd reconsider continuing his roots. Matthew |
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__________________ Hartt School of Music '06 | |
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