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| | #1 (permalink) |
| Piano User
Join Date: Jun 2006
Location: Camp Hill, PA
Posts: 313
| Still: Afro-American Symphony Hi Tom, How do you approach this piece? The extended muted solo in the beginning confuses me stylistically. It's a blues lick...but it's not written as swung? How does one perform this convincingly? The mute markings are cryptic as well. When the part says "cover the orifice of the mute," is that stem in or out? All in all, it's a really neat piece, I'm just a little lost musically. Thanks, |
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__________________ JP | |
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| | #3 (permalink) |
| Mezzo Forte User
Join Date: Sep 2005
Location: Saint Paul, MN
Brand: Yamaha, Bach, Getzen
Posts: 719
| Re: Still: Afro-American Symphony When my community orchestra did it, we played it with the stem in. Listen to the Detroit Recording it will help musically. |
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__________________ Res Severa Verum Gaudium | |
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| | #4 (permalink) |
| Artitst in Residence ![]() Forte User
Join Date: Nov 2003
Location: Brooklyn,NY
Posts: 2,153
![]() ![]() ![]() | Re: Still: Afro-American Symphony Before Miles Davis, the harmon mute was always played with the stem in. Think "Rhapsody in Blue." Wilmer |
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__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | |
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| | #5 (permalink) |
| Piano User
Join Date: Jun 2006
Location: Camp Hill, PA
Posts: 313
| Re: Still: Afro-American Symphony I found the Detroit recording on Naxos, it's great! It's interesting how the American orchestra swings the eighth notes in the beginning while the handful of European orchestras I listened to on Naxos play them straight. All of them sounded wonderful, but I prefer the Detroit recording. I guess it just goes to show that there is no definitive "right" way to play a given piece of music. I like the harmon sound with the stem in. It's got that great "nostalgic" sound and fits just right with the strings. Thanks Guys, |
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__________________ JP | |
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