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Orchestra / Solo / Chamber Music Discuss Still: Afro-American Symphony in the General forums; Hi Tom, How do you approach this piece? The extended muted solo in the beginning confuses me stylistically. It's ...
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Old 01-17-2008, 11:53 PM   #1 (permalink)
John P
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Still: Afro-American Symphony

Hi Tom,

How do you approach this piece? The extended muted solo in the beginning confuses me stylistically. It's a blues lick...but it's not written as swung? How does one perform this convincingly?

The mute markings are cryptic as well. When the part says "cover the orifice of the mute," is that stem in or out?

All in all, it's a really neat piece, I'm just a little lost musically.

Thanks,
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Old 01-20-2008, 12:36 AM   #2 (permalink)
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Re: Still: Afro-American Symphony

HI,

Unfortunately, I've never played that piece.
Sorry I can't help you.

Tom
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Old 01-20-2008, 07:10 AM   #3 (permalink)
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Re: Still: Afro-American Symphony

When my community orchestra did it, we played it with the stem in. Listen to the Detroit Recording it will help musically.
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Old 01-20-2008, 08:32 AM   #4 (permalink)
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Re: Still: Afro-American Symphony

Before Miles Davis, the harmon mute was always played with the stem in. Think "Rhapsody in Blue."
Wilmer
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Old 01-23-2008, 12:44 AM   #5 (permalink)
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Re: Still: Afro-American Symphony

I found the Detroit recording on Naxos, it's great! It's interesting how the American orchestra swings the eighth notes in the beginning while the handful of European orchestras I listened to on Naxos play them straight. All of them sounded wonderful, but I prefer the Detroit recording. I guess it just goes to show that there is no definitive "right" way to play a given piece of music.

I like the harmon sound with the stem in. It's got that great "nostalgic" sound and fits just right with the strings.

Thanks Guys,
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