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| Forte User Join Date: Oct 2004 Location: Lafayette, LA, USA
Posts: 1,043
![]() | Your all time greatest ORCHESTRAL trumpet section If you could make up a classical orchestral trumpet section of any players living or dead, who would you include? After thinking about this for a while I would put up the following names: Armando Ghitalla Adolph Sylvester (Bud) Herseth Gerard Schwarz William Vacchiano Roger Louis Voisin Adel Sanchez I know you would never take 6 trumpets, but I could not decide who I would take. I love Sanchez -- I know he might not make many lists of this type, but he is really a great player. As long as I had too many players I had to add him in simply because he's someone I've admired since I was in high school.
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| | #3 (permalink) |
| Forte User | Rod Franks Phil Smith James Watson Roger Voisin
__________________ Spada Bach B flat 72, leadpipe 2L/DWMM1.5C Spada Bach C 256, leadpipe 2LQ/DWMM1.5C 1956 Olds Ambassador Cornet Spada Custom Piccolo If you don't know where you are going, you 'll end up someplace else |
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| | #5 (permalink) | |
| Artitst in Residence ![]() Forte User Join Date: Nov 2003 Location: Brooklyn,NY
Posts: 2,379
![]() ![]() ![]() ![]() ![]() | Quote:
Nathan Prager Seymour Rosenfeld Andre Come Vince Penzarella
__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | |
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| | #6 (permalink) |
| Mezzo Piano User Join Date: Nov 2003 Location: Sheffield, England, UK
Posts: 644
![]() | Maurice Murphy John MacMurray Manny Laureano Me. BTW, Principal players usually get to where they are because they are exceptionally good musicians, so they know how to play in the section. I don't think ego would be much of a problem for most of them.
__________________ "...you have the perfect C Major chord, with blazing trumpets and inaudible strings." - Daniel Barenboim. |
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| | #7 (permalink) |
| Moderator Fortissimo User Join Date: Jun 2006 Location: Germany
Posts: 4,398
![]() ![]() ![]() ![]() ![]() ![]() ![]() | My personal standard for section playing was present for the Gabrieli antiphonal recording with the Philadelphia, Chicago and Cleveland brass sections. Basically every type of style was covered from Gil Johnsons super elegant playing (Manny has this position today as far as I am concerned), Bud Herseths' incredible power and Herb Adesteins attention to detail. They all had "perfectly matched" second tpts(or entire brass sections for that matter). For me the definitive picture of american orchestral playing.
__________________ Whenever I feel blue, I start breathing again. |
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| | #8 (permalink) | |
| Piano User Join Date: Nov 2003 Location: arkansas
Posts: 377
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dj | |
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| | #9 (permalink) |
| Piano User | The Met Trumpet section of the late nineties was pretty close to perfect. Mark Gould, Jim Pandolfi, Pete Bond, and the other guy whose name escapes me right now......
__________________ Bach 37 Yamaha 8310Z Yamaha 631 Flugel Getzen 850 Cornet Yamaha Picc Yamaha Xeno C 8445 Monette B1-5M, B1-5F, B1-5D cornet, Stork 3P, Monette C1-5M |
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| | #10 (permalink) |
| Artist in Residence ![]() Forte User Join Date: Jul 2005 Location: NH/CA/PQ
Posts: 1,601
![]() ![]() ![]() | Principal Trumpet: Tom Stevens (Solti's choice for the World Orchestra for Peace. . .did you know?) Second Trumpet: Vince Cichowicz (Bud's mirror) Associate Principal: Tamás Velenczei (Berliner Philharmoniker; my favorite amongst the current crop of orchestral trumpeters) Fourth Trumpet: Tim Kent (to write about it) Everyone else is good too EC |
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