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Old 06-29-2007, 06:25 PM   #1 (permalink)
johnmarkpainter
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MPC Sleeves and Trim Kit VooDoo

I bought a '54 Olds Ambassador Trumpet that came with a set of heavy Harrelson Bottom Caps.
The Horn is a lot heavier to begin with than my '82 Yamaha and I immediately preferred the basic tone and the way it plays.

I thought the Bottom Caps looked cool but was very skeptical that they really did anything sonically.

Well....they do.

So I ordered Top Caps and Finger Buttons..all heavyweight.
The Horn plays very differently (in a good way).
My control is better at low volumes and slotting is better especially in the C-G range (below High C)

This makes me interested in Sleeves but I want to understand what it REALLY does to make sure that it is something I really want.

A lot of marketing hype seems to be set up to lure in people that are looking for a magic bullett for playing High and Loud.
I am not really interested in either.

Can anyone really explain what Sleeves do sonically?
I know that the increased mass reduces wasted energy but beyond that...

jmp
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Old 06-29-2007, 07:10 PM   #2 (permalink)
J. Landress Brass
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Re: MPC Sleeves and Trim Kit VooDoo

Quote:
Originally Posted by trumpetherald.com View Post
Had the pleasure a couple of weeks ago of meeting Josh Landress, brass repairman/trumpet designer/builder extraordinaire at his shop in the Sam Ash store on 48th St NYC. Great fun trying his design trumpets as well as superb vintage Martin Committes, original French Bessons, and intelligently modified Bach Strads.

The best was his Wooden Sleeve Sound Enhancement System. This brass and wood collar attaches to the mouthpiece stem by means of a set screw. Don't ask me how or why it works. The effect was like turning your trumpet from a $300 student horn into a $3500 custom model. The problem here was that I was already playing my $4500 Thein custom sliding gold brass bell Bb! The tone centered even better, the accurate intonation locked into place more easily, and the articulation, especially in the high register, was just easier to make.

After practicing for an hour, I experienced a near shutdown of my high register above high D. I'm a "legit" player with decent high F's and G's which became unavailable with this attachment, but I patiently practiced my standard exercise routine, and every day, I gained back a semitone. After around a week the F's and G's were back, stronger, louder and more in tune than ever!

Overall volume of tone increased as I played louder, so I did my warmups at FFF. Normally, 45 minutes of this kind of blasting would have given me swollen chops. The only problem I had was that my tone became somewhat fuzzy and soft. Not unfocused, just a little flugelhorn like. Ten minutes rest, and my chops were back to normal. As my chops became more accustomed to not working as hard, my endurance playing long passages in Charlier, Walter Smith, etc, increased.

Two more areas of improvement were ability to play softly, and reduced warmup time. I normally warm up for 20-45 minutes, and still do, but when time is short, I can pick up the horn cold and I'm up to speed in a few minutes of pedal tones and flexibility slurs. Playing very quiet passages after very loud is no problem with this attachment. No more tendency to go sharp holding a note in the high register.

I tried removing the attachment. This is not recommended. At first, everything gets worse, kind of like missing a step on a staircase. After around a half hour of warmup, things get back to "normal", but "normal" is just unacceptable.

Pictures and contact info are at JLANDRESSBRASS.COM

Arthur Grudko
Anything you add, subtract, move, loosen, tighten, bend, shape or change on an instrument will effect the way it plays:

A sleeve, either traditional or my design changes the way the metal vibrates, thus changing the velocity and wave that is produced in the mouthpiece.
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Old 06-29-2007, 07:56 PM   #3 (permalink)
Vulgano Brother
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Re: MPC Sleeves and Trim Kit VooDoo

I use Curry Monstersleeves on my Curry mouthpieces. I like the effect on all my horns, be they lightweight or heavy--they take off the "edge" without affecting the upper register, and this suits the styles I play and my personal taste. They let me sound more like "me." "Tis but one person's opinion, though.
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