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| | #1 (permalink) |
| Forte User
Join Date: Nov 2003
Posts: 1,028
| Pablo Casals Wilmer, I have been recently reading “Casals and the art of Interpretation” by David Blum. Several times during the course of the book he mentions Casals’ association with the Marlboro festival orchestra. Since you were a member of that orchestra I was wondering if you two had crossed paths and if so could you tell us any anecdotes about him. |
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| | #2 (permalink) | |
| Artitst in Residence ![]() Forte User
Join Date: Nov 2003
Location: Brooklyn,NY
Posts: 2,079
![]() ![]() | Re: Pablo Casals Quote:
1965 was my first official year there. We recorded the Bach Suites that year. The Casals version of the suites is much slower than those we hear these days. He enjoyed every note of the works we were performing. Don Pablo had a vision that would be argued about today, but at the moment we recorded them his logic shines through clearly. Casals was in his nineties, yet his beat was strong and clear. I had a chance to hang with DP, Don Pablo, at many lunches. Lunch time at Marlboro could sometimes be like a scene out of Animal House. Food fights almost every meal, Rudolf Serkin was one of the worst offenders Some of music's most well known performers were there. Kodaly and his very young wife sat at our table one afternoon. He was horrified when the food and napkins started to fly. John Mack, Harold Wright, John Barrows and Paul Ingraham were there. There seemed to be more real Strads there than at the Bach factory. We went on a State Department tour at the end of that summer. In Nice I met, thanks to John Mack, Marcel Tabuteau. He paid me his highest compliment. He said,"Young man, you make the trumpet almost a musical instrument." He did not like trumpet players......that's a story for another time. I am only beginning to talk about Marlboro........(to be continued) Wilmer | |
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__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | ||
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| | #3 (permalink) |
| Mezzo Piano User
Join Date: May 2005
Location: Bloomfield Township, Mich
Brand: H.N. WHITE Mini Liberty
Posts: 561
| quote="wiseone2"] Marcel Tabuteau. He paid me his highest compliment. He said,"Young man, you make the trumpet almost a musical instrument." He did not like trumpet players......that's a story for another time. I am only beginning to talk about Marlboro........(to be continued) Wilmer[/quote] Thanks for that insight Wilmer. That explains somes things about John DeLancie. |
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| | #4 (permalink) |
| Artitst in Residence ![]() Forte User
Join Date: Nov 2003
Location: Brooklyn,NY
Posts: 2,079
![]() ![]() | Hi Brian, Here's the story.......no names mentioned. M. Tabuteau had a woodwind ensemble concert scheduled at Curtis Institute. A trumpet was involved in one piece. The trumpet player,who would become a legend, the day before the concert won a major job. He went out and partied, and got so happy he could not play the concert. His buddy, who also became a legend, went in to play for him. We don't know how he did, we do know that Tabuteau never forgave the trumpet. Wilmer PS. DeLancie could have been a student in the ensemble |
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__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | |
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| | #5 (permalink) | |
| New Friend
Join Date: Apr 2005
Posts: 8
| Quote:
tabuteau hated trumpets because with a mute in we sound alot like oboes.....except were in tune....lol take care Wilmer, DonGiovanni | |
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| | #6 (permalink) | ||
| Mezzo Piano User
Join Date: May 2005
Location: Bloomfield Township, Mich
Brand: H.N. WHITE Mini Liberty
Posts: 561
| Quote:
Thanks Wilmer that was a great story. Hey young Don it couldn't hve been the O I am thinking of because he never won a major job that I know of. I am thinking J and I think I know who H was. But then again; I am just taking a calculated guess. | ||
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