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Wise Talk! Discuss Practice mute... in the Artists in Residence forums; (Since I read the thread started by Mr. Wise about how many blasted mutes he has, I figure I'd ...
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Old 08-15-2005, 08:10 PM   #1 (permalink)
butxifxnot
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Practice mute...

(Since I read the thread started by Mr. Wise about how many blasted mutes he has, I figure I'd ask him.)

I have a practice mute, and I used it quite a lot. A former director told me that the added pressure is good for younger players because it "makes you blow". Well, an interesting thing: certain aspects of my playing seems to be better with the added pressure of the mute now. IE range is more flexable, I can actually hit a pedal C without cheating (bending the G down...) While I'm sure the mute has helped me by getting me to use air, I'm kind of unnerved that some of my playing sounds better with that mute...
Can I transfer that effect of the added pressure (or fool my mind into imagining it) to my playing without the mute (or without the pressure, whichever's better)?

BTW, when I say pressure, you do know that I mean "back-pressure" and not lip pressure.
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Old 08-15-2005, 09:43 PM   #2 (permalink)
wiseone2
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Re: Practice mute...

Quote:
Originally Posted by butxifxnot
(Since I read the thread started by Mr. Wise about how many blasted mutes he has, I figure I'd ask him.)

I have a practice mute, and I used it quite a lot. A former director told me that the added pressure is good for younger players because it "makes you blow". Well, an interesting thing: certain aspects of my playing seems to be better with the added pressure of the mute now. IE range is more flexable, I can actually hit a pedal C without cheating (bending the G down...) While I'm sure the mute has helped me by getting me to use air, I'm kind of unnerved that some of my playing sounds better with that mute...
Can I transfer that effect of the added pressure (or fool my mind into imagining it) to my playing without the mute (or without the pressure, whichever's better)?

BTW, when I say pressure, you do know that I mean "back-pressure" and not lip pressure.
Hmmmmmm........I never would encourage a young player to use a practice mute for anything other than an occasional practice session, certainly not every day use. I am really old school, not one of my teachers even mentioned pedals and I have never used them. I believe in playing pianissimo open. A player will get a greater sense of control of air and chops when playing the trumpet unmuted. Take the Arban Studies on slurring starting on page 39 and play these open and quietly. Concentrate on feeling the interaction of the inhale, attack/release of air. Work on getting that feeling of absolute ease in producing your sound. The Arban studies are the first step.
Wilmer
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Old 08-15-2005, 09:51 PM   #3 (permalink)
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I confess.......I have acquired my mute collection over a number of years.
I have had to, on occasion, buy mutes because I left home without the right ones. It's great to be in a town where you can run to the local store and buy any mute you need
Wilmer
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Old 08-15-2005, 10:39 PM   #4 (permalink)
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Re: Practice mute...

Quote:
Originally Posted by wiseone2
Quote:
Originally Posted by butxifxnot
(Since I read the thread started by Mr. Wise about how many blasted mutes he has, I figure I'd ask him.)

I have a practice mute, and I used it quite a lot. A former director told me that the added pressure is good for younger players because it "makes you blow". Well, an interesting thing: certain aspects of my playing seems to be better with the added pressure of the mute now. IE range is more flexable, I can actually hit a pedal C without cheating (bending the G down...) While I'm sure the mute has helped me by getting me to use air, I'm kind of unnerved that some of my playing sounds better with that mute...
Can I transfer that effect of the added pressure (or fool my mind into imagining it) to my playing without the mute (or without the pressure, whichever's better)?

BTW, when I say pressure, you do know that I mean "back-pressure" and not lip pressure.
Hmmmmmm........I never would encourage a young player to use a practice mute for anything other than an occasional practice session, certainly not every day use.
Well, it wasn't everyday usage, but it turned out that way. My fault.
Quote:
I am really old school, not one of my teachers even mentioned pedals and I have never used them. I believe in playing pianissimo open. A player will get a greater sense of control of air and chops when playing the trumpet unmuted. Take the Arban Studies on slurring starting on page 39 and play these open and quietly. Concentrate on feeling the interaction of the inhale, attack/release of air. Work on getting that feeling of absolute ease in producing your sound. The Arban studies are the first step.
Wilmer
Thank you for the reply and the specific application ideas.
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Old 08-16-2005, 04:20 AM   #5 (permalink)
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Wilmer, I apologise now for introducing a trombone player's thoughts into your forum, but in this case it is very relevant (I hope you agree).

Yesterday I was chatting to Denis Wick (yes, him of the mouthpieces and mutes) and we were talking about various teaching and practice techniques. He was talking about how he gets his trombone students playing with a full sound.
Low notes, fairly loud, not forced, with a practice mute in.
His logic behind this is that the slight increase in air pressure needed allows the throat to open slightly, allowing more air through the instrument.

Knowing his pedigree as both a player (35 years as principal trombone of the London Symphony Orchestra) and as a teacher (his students are spread all over the world, filling principal positions in many orchestras), there might be something in this.

He does add, however, that practice mutes should not be used for all practising. He uses them for this specific purpose. The only other time they come out is when needed - late night hotel practising etc.


We now return you to trumpet thoughts.
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Old 08-16-2005, 05:36 AM   #6 (permalink)
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Denis Wick Practice Mute

Trumpetmike,

The next time you run into Mr. Wick, would you mind mentioning to him that the trumpet practice mute works better (IMO) if one of the two holes gets plugged. Try it with a piece of tape and see. I ended up plugging one of the holes permanently with epoxy.
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Old 08-16-2005, 08:51 AM   #7 (permalink)
Bill Dishman
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Practice Mutes

I actually go the other way with the Wick PM's. I open up one of the holes to reduce back pressure and make the mute more open feeling.

On Jim Donaldson's Trumpet Gearhead website there is my comparison / contrast study on many of the various brands of practice mutes I have used over the years.

Bill Dishman
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Old 08-16-2005, 08:53 AM   #8 (permalink)
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Re: Practice mute...

Quote:
Originally Posted by butxifxnot
(Since I read the thread started by Mr. Wise about how many blasted mutes he has, I figure I'd ask him.)

I have a practice mute, and I used it quite a lot. A former director told me that the added pressure is good for younger players because it "makes you blow". Well, an interesting thing: certain aspects of my playing seems to be better with the added pressure of the mute now. IE range is more flexable, I can actually hit a pedal C without cheating (bending the G down...) While I'm sure the mute has helped me by getting me to use air, I'm kind of unnerved that some of my playing sounds better with that mute...
Can I transfer that effect of the added pressure (or fool my mind into imagining it) to my playing without the mute (or without the pressure, whichever's better)?

BTW, when I say pressure, you do know that I mean "back-pressure" and not lip pressure.
If done the right way and in limited amounts it can help with some things, though i do not recommend it to a high school student.

you might get better results by flutter tounging a passage, instead of playing it with a mute.
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Old 08-16-2005, 09:08 AM   #9 (permalink)
trumpetmike
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Re: Denis Wick Practice Mute

Quote:
Originally Posted by Sol
Trumpetmike,

The next time you run into Mr. Wick, would you mind mentioning to him that the trumpet practice mute works better (IMO) if one of the two holes gets plugged. Try it with a piece of tape and see. I ended up plugging one of the holes permanently with epoxy.
Quote:
Originally Posted by Bill Dishman
I actually go the other way with the Wick PM's. I open up one of the holes to reduce back pressure and make the mute more open feeling.
I imagine that this is why there are two holes - so you have the option of taping one (or both) up.

I have an old model one that has both holes taped over. The newer version doesn't seem to need it.
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