![]() |
![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
|
Welcome to TrumpetMaster.com You are currently viewing our trumpet site as a guest, which gives you limited access to many features. By joining our community you will be able to post topics in our trumpet forum, place ads in our classifieds, add your upcoming event to our calendar, communicate privately with other members (PM), and access many other special features. Registration is fast, simple and absolutely free! We hope you will join our community today! |
| |||||||
![]() |
![]() | | LinkBack | Thread Tools | Display Modes | ![]() |
| | #1 (permalink) |
| Pianissimo User
Join Date: Jul 2004
Location: Here...
Posts: 150
| Practice mute... (Since I read the thread started by Mr. Wise about how many blasted mutes he has, I figure I'd ask him.) I have a practice mute, and I used it quite a lot. A former director told me that the added pressure is good for younger players because it "makes you blow". Well, an interesting thing: certain aspects of my playing seems to be better with the added pressure of the mute now. IE range is more flexable, I can actually hit a pedal C without cheating (bending the G down...) While I'm sure the mute has helped me by getting me to use air, I'm kind of unnerved that some of my playing sounds better with that mute... Can I transfer that effect of the added pressure (or fool my mind into imagining it) to my playing without the mute (or without the pressure, whichever's better)? BTW, when I say pressure, you do know that I mean "back-pressure" and not lip pressure. |
|
__________________ -"More air", "open the throat", "arch the tongue"; Next -"Long tones: my anti-drug" | |
| | |
| | #2 (permalink) | |
| Artitst in Residence ![]() Forte User
Join Date: Nov 2003
Location: Brooklyn,NY
Posts: 2,079
![]() ![]() | Re: Practice mute... Quote:
Wilmer | |
|
__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | ||
| | |
| | #3 (permalink) |
| Artitst in Residence ![]() Forte User
Join Date: Nov 2003
Location: Brooklyn,NY
Posts: 2,079
![]() ![]() | I confess.......I have acquired my mute collection over a number of years. I have had to, on occasion, buy mutes because I left home without the right ones. It's great to be in a town where you can run to the local store and buy any mute you need Wilmer |
|
__________________ Be sure Brain is engaged before putting Mouthpiece in gear. S.Suark 1951 | |
| | |
| | #4 (permalink) | |||
| Pianissimo User
Join Date: Jul 2004
Location: Here...
Posts: 150
| Re: Practice mute... Quote:
Quote:
| |||
|
__________________ -"More air", "open the throat", "arch the tongue"; Next -"Long tones: my anti-drug" | ||||
| | |
| | #5 (permalink) |
| Forte User
Join Date: Oct 2004
Location: Farnham (a place too smal
Brand: Whatever works
Posts: 1,202
| Wilmer, I apologise now for introducing a trombone player's thoughts into your forum, but in this case it is very relevant (I hope you agree). Yesterday I was chatting to Denis Wick (yes, him of the mouthpieces and mutes) and we were talking about various teaching and practice techniques. He was talking about how he gets his trombone students playing with a full sound. Low notes, fairly loud, not forced, with a practice mute in. His logic behind this is that the slight increase in air pressure needed allows the throat to open slightly, allowing more air through the instrument. Knowing his pedigree as both a player (35 years as principal trombone of the London Symphony Orchestra) and as a teacher (his students are spread all over the world, filling principal positions in many orchestras), there might be something in this. He does add, however, that practice mutes should not be used for all practising. He uses them for this specific purpose. The only other time they come out is when needed - late night hotel practising etc. We now return you to trumpet thoughts. |
| | |
| | #6 (permalink) |
| New Friend
Join Date: Jan 2004
Posts: 33
| Denis Wick Practice Mute Trumpetmike, The next time you run into Mr. Wick, would you mind mentioning to him that the trumpet practice mute works better (IMO) if one of the two holes gets plugged. Try it with a piece of tape and see. I ended up plugging one of the holes permanently with epoxy. |
| | |
| | #7 (permalink) |
| Pianissimo User
Join Date: Nov 2003
Location: Gainesville, Florida
Posts: 112
| Practice Mutes I actually go the other way with the Wick PM's. I open up one of the holes to reduce back pressure and make the mute more open feeling. On Jim Donaldson's Trumpet Gearhead website there is my comparison / contrast study on many of the various brands of practice mutes I have used over the years. Bill Dishman Gainesville, Florida |
| | |
| | #8 (permalink) | |
| Forte User
Join Date: Nov 2003
Posts: 1,028
| Re: Practice mute... Quote:
you might get better results by flutter tounging a passage, instead of playing it with a mute. | |
| | |
| | #9 (permalink) | ||
| Forte User
Join Date: Oct 2004
Location: Farnham (a place too smal
Brand: Whatever works
Posts: 1,202
| Re: Denis Wick Practice Mute Quote:
Quote:
I have an old model one that has both holes taped over. The newer version doesn't seem to need it. | ||
| | |
| |
![]() Copyright 2006 TrumpetMaster.com |
All times are GMT -4. The time now is 10:00 AM.
Powered by vBadvanced CMPS v2.2.0/Links 1.01 Powered by vBulletin® Version 3.6.9 Copyright ©2000 - 2008, Jelsoft Enterprises Ltd. Search Engine Optimization by vBSEO 3.0.0 RC8 |