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Old 03-25-2009, 02:02 PM   #11
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Re: playing Lead

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Originally Posted by B15M View Post
I recently took a job in a local big band where I split lead and forth.
I think the more important question is, are you getting paid? If so, I wouldn't want to piss anyone off- even if it is a lowly sax player ;)
When I get good enough to do any kind of serious public playing I'd want my name to be associated with nailing everything, like Tony!
Have fun,
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Old 03-25-2009, 07:24 PM   #12
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Re: playing Lead

I just had Alan Baylock, one of the top arranger/composers for big band jazz in the country, come in and work with my Jazz Band. Is was a great experience and we have known each other for many years. He was a lead guy and so was I ( I think we have both recovered ) back in the day. It was real interesting to hear him talk to the kids about his tunes we where playing.

He said "Articulations!!!!! Style!!!!!!!!!! Sense of time!!!!!!!!!!! Expressive devices!!!!!!!!!!!!!" and then when he was done talking to the Lead trumpet................. get my point.

Coming from the composer (Alan), he wants to hear what he wrote as accurately as possible. There is a time and place for adding to the music, but more importantly play the ink.

PS: I would think the bone player right in front of you would get more upset at what you played, it is after all bouncing off his cranium.

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Old 03-25-2009, 07:39 PM   #13
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Re: playing Lead

Quote:
Originally Posted by BergeronWannabe View Post
I think the more important question is, are you getting paid? If so, I wouldn't want to piss anyone off- even if it is a lowly sax player ;)
When I get good enough to do any kind of serious public playing I'd want my name to be associated with nailing everything, like Tony!
Have fun,
-Andrew
Yes, I get paid.

I don't think he is mad at me. He just made a big deal about the way I played something.

I don't think I can play like Tony yet but I am known around here for nailing everything. I asked Tony a style question because I aspire to play like him.


Having more fun than I should be getting paid for,

Joe
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Old 03-27-2009, 12:50 PM   #14
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Re: playing Lead

Think I read somewhere that Wayne Bergeron never took anything "up" unless told to by someone.
however once they found out how well (and high) he played Kubis, Goodwin, and Maynard let him have some "liberties".
As long as the music sounds good I think that's most important.
have fun,
-Andrew
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Old 03-27-2009, 01:13 PM   #15
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Re: playing Lead

never listen to a sax player or else your eyes will fall out eventually. Trust me... there have been studies done.
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Old 03-27-2009, 03:31 PM   #16
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Re: playing Lead

don't get me started on sax players....and their intontation.....
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Old 04-03-2009, 04:33 PM   #17
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Re: playing Lead

Not to mention the octave key. Wish I had one of those.
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Old 04-03-2009, 04:58 PM   #18
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Re: playing Lead

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Not to mention the octave key. Wish I had one of those.
Get a rotary trumpet with vienna keys!
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Old 04-03-2009, 09:54 PM   #19
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Re: playing Lead

Hey Nick, the real reason we play piston trumpets for jazz is because of the women that confuse rotary trumpets with saxophones--stay away from them (those girls) at all costs!
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Old 05-07-2009, 03:36 AM   #20
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Re: playing Lead

I had a lesson with Roger Ingram last year, and the advice from a monster lead player....."Only take it up when its written". So I'd say the responses of play the ink WELL is the best option
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