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Old 06-11-2009, 07:25 AM   #21
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Re: Recording Session Questions

In 10 years they will probably have the rights to "sample" our sounds from previous productions and midi the trumpet parts - and then claim "royalty free" that it was us!
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Old 06-11-2009, 04:20 PM   #22
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Re: Recording Session Questions

A little recording session story: Back in 1979, Ray Crisara and I were hired (15 sessions, if memory serves) to record all of the music for NBC's coverage of the 1980 Olympic Games in Moscow. The plug was pulled after 4 sessions when Jimmy Carter announced the US boycott do to the Soviet invasion of -- wait for it -- Afghanistan. Sessions lost, re-packaging/residuals too. A drag, obviously.

Ray was amazing and played everything on the Bb, dumbing it down to sound like a flugelhorn and heating it up to sound like a piccolo. I, on the other hand, was changing equipment about every bar.

Perhaps I was predestined to teach...
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Old 06-11-2009, 04:32 PM   #23
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Re: Recording Session Questions

Gee, Ed, if it had been a Union gig you should have gotten paid for the whole package. On the other hand, since it was Carter, NBC could have used the "Acts of God" clause.
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Old 06-11-2009, 07:44 PM   #24
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Re: Recording Session Questions

Vulglet,

The contract was looked over carefully by the union. No dice, alas, as it wasn't NBC's fault. In spite of this one speed bump, the arts flourished under Carter.

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Old 06-11-2009, 08:18 PM   #25
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Re: Recording Session Questions

Quote:
Originally Posted by ecarroll View Post
Vulglet,
Yikes, it looks like I'm about the first moderator to be banned from TM!
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Old 06-11-2009, 09:51 PM   #26
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Re: Recording Session Questions

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Originally Posted by kadleck View Post
That may certainly be the case. However, to protect yourself you should ask. If it gets picked up (as is) are they going to file a union contract? If not, then who is at fault? Is it the folks having the contest (who are trying to get "something for nothing")? Or is it the composer (trying to get away without paying re-use)?

The way I look at it, if the composer is getting paid "legit", you should too. If he/she is not, then you must decide what you want to do.

About 10-12 years ago I did a "buyout" for FOX Sports. It was (is) their baseball theme. Now they use it for baseball, news,etc... During the summer I hear it several times per day, EVERY day. I made a whopping $200, over a DECADE ago. AND, we triple tracked!!! Lame.

Then again, if I didn't do it someone else would have. A tough pill to swallow.

Tony
Outstanding recommendation,Tony.
While he may be focused on the cats who are promoting the show,he ought to focus on the composer !
As it goes with the business,only the leader and the composer get the re-use $$$$$$$$

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Old 06-22-2009, 03:54 AM   #27
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Re: Recording Session Questions

wow thats cool! well on the birght side you have somethin to tell your kids now
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Old 08-31-2009, 12:22 PM   #28
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$*&%^ Guitar Players

I hate it when the guitar player hangs over!
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Old 09-01-2009, 01:12 AM   #29
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Re: $*&%^ Guitar Players

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I hate it when the guitar player hangs over!
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Old 09-04-2009, 05:26 PM   #30
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Re: Recording Session Questions

Shortly after I left the road I was doing quite a few sessions before the bottom fell out around Chicago. I had an experience very similar to Tony's. A bunch of us were hired to play the demo for a local TV show. Yeah, it was a buyout. Yeah, it got used as the master and no matter how much we beefed, none of us got an extra dime.

Things are changing and changing fast. I believe, as MUSICIANS - artists, we have to look out for ourselves - "wise as serpents and gentle as doves."

I got called for a gig tomorrow night (Saturday depending on when you're reading this). The contractor called a few weeks ago. This guy runs a smokin' hot funk band, but is notorious for playing short bread bar gigs. He used to call me all the time, but quit calling because I kept turning him down for bar gigs on Saturdays. so when he called me, I told him I was open and then the next words out of my mouth was "what does it pay?" I was friendly and polite and tossed it out offhandedly. He became very evasive (another stunt this guy will pull). He said, in effect, "I'll take care of you." I took the gig and insisted that I need to know before I'd turn up.

I called him on Monday for the details and the SECOND thing I asked him was what the pay was. He didn't hem or how too much this time and quoted me a fee which was over my usual amount for a three hour gig - and I get paid pretty well for jobbing (club dates). It turns out the client knows me and insisted I be on the gig! Heh, heh! Now, as it turns out, I didn't have to goad him into paying more, but had he low-balled me, I was prepared to tell him I would stay home before working for short bread on a prime jobbing night.

This leader is not a bad guy, but he just has a very funny and sloppy way of working the business end of things. Even though he doesn't intend it this way, it is disrespectful of the sidemen to not be more organized and businesslike. I call it garage band mentality.

Now, this isn't as lofty as the recording session scene, but I am trying to speak to the need to stick up for yourself. You can do this and still be amicable and friendly.

These days, when I get called to record I only ask what the project is and what the pay is. REuse???? Around here (Chicago) that doesn't amount to much anymore.

Gotta run!

A student just came in!

Have a great holiday weekend!!!!

Nick
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Last edited by NickD; 09-05-2009 at 01:19 PM.
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